Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
From inside the book
Results 1-3 of 15
Page 147
... reversal of the traditional cosmic structure , together with the reversal of the " moral principle incor- porated into " this structure . Consequently , he establishes a new direction for the " good , " the finding of " identity , " not ...
... reversal of the traditional cosmic structure , together with the reversal of the " moral principle incor- porated into " this structure . Consequently , he establishes a new direction for the " good , " the finding of " identity , " not ...
Page 148
Themes of Cosmic Strife in Romantic Tragedy Erika Gottlieb. tionary reversal of the entire traditional cosmic structure , with its built - in moral principle . Yet in this play the initially violent reversal of the moral structure has ...
Themes of Cosmic Strife in Romantic Tragedy Erika Gottlieb. tionary reversal of the entire traditional cosmic structure , with its built - in moral principle . Yet in this play the initially violent reversal of the moral structure has ...
Page 162
... reversal are even more far - reaching in Manfred and in The Cenci . As a matter of fact , here the after - effects are more significant to the resolution of the tragedy , than the reversal itself . Although both Byron's and Shelley's ...
... reversal are even more far - reaching in Manfred and in The Cenci . As a matter of fact , here the after - effects are more significant to the resolution of the tragedy , than the reversal itself . Although both Byron's and Shelley's ...
Contents
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Copyright | |
5 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York