Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 79
He feels that Keats has a " sexual and literal conception " of Auranthe's sins , as opposed to the " spiritual and symbolic ” 10 sins of Lamia . A close examination of Otho the Great , however , makes clear that Auranthe's “ sexual and ...
He feels that Keats has a " sexual and literal conception " of Auranthe's sins , as opposed to the " spiritual and symbolic ” 10 sins of Lamia . A close examination of Otho the Great , however , makes clear that Auranthe's “ sexual and ...
Page 130
In this play the innocent heroine falls in actual fact , and instead of a merely symbolic offence against the father , the offspring consummates a well - justified act of parricide . Both Byron's “ Prometheus ” and Shelley's The Cenci ...
In this play the innocent heroine falls in actual fact , and instead of a merely symbolic offence against the father , the offspring consummates a well - justified act of parricide . Both Byron's “ Prometheus ” and Shelley's The Cenci ...
Page 161
Northrop Frye points out that while in the traditional cosmology the ' good ' of Heaven or Paradise is associated with heights , in the romantic version height becomes symbolic of the evil of alienation .
Northrop Frye points out that while in the traditional cosmology the ' good ' of Heaven or Paradise is associated with heights , in the romantic version height becomes symbolic of the evil of alienation .
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's