Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 8
In the last two plays , that is , in Byron's Manfred and Shelley's The Cenci , the wedding , or rather the union between the main characters and the innocent heroine still takes centre - stage . However , in these two plays the union ...
In the last two plays , that is , in Byron's Manfred and Shelley's The Cenci , the wedding , or rather the union between the main characters and the innocent heroine still takes centre - stage . However , in these two plays the union ...
Page 69
As Northrop Frye has pointed out , the Romantic cosmos takes the poet “ to confront his destiny in a creative center , usually not in the heavenward movement of earlier poetry , but in the deep interior . ” 21 He also points out that ...
As Northrop Frye has pointed out , the Romantic cosmos takes the poet “ to confront his destiny in a creative center , usually not in the heavenward movement of earlier poetry , but in the deep interior . ” 21 He also points out that ...
Page 140
IMAGES OF NATURE : THE COSMIC STRUCTURE 9 > > Expressive of the optimistic myth of " white romanticism , ” Prometheus Unbound takes place entirely in a natural setting , where even the palatial abodes are light ...
IMAGES OF NATURE : THE COSMIC STRUCTURE 9 > > Expressive of the optimistic myth of " white romanticism , ” Prometheus Unbound takes place entirely in a natural setting , where even the palatial abodes are light ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's