Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 46
... tion : " Delights so full , if unalloyed with grief , / Were ominous " ( V. 1. 285-286 ) . The play ends with Alvar delivering a short homily on triumphant Conscience that is always in agreement with Intuition and Imagina- tion , the ...
... tion : " Delights so full , if unalloyed with grief , / Were ominous " ( V. 1. 285-286 ) . The play ends with Alvar delivering a short homily on triumphant Conscience that is always in agreement with Intuition and Imagina- tion , the ...
Page 73
... tion between the jealous lover in the play and the brooding tragedian . He writes to Fanny Brawne : I leave this minute a scene in our Tragedy and see you ( think it not blas- phemy ) through the mist of Plots , speeches , counterplots ...
... tion between the jealous lover in the play and the brooding tragedian . He writes to Fanny Brawne : I leave this minute a scene in our Tragedy and see you ( think it not blas- phemy ) through the mist of Plots , speeches , counterplots ...
Page 144
... tion for murder was greed and revenge , are associated with the " savage rock " of ultimately undeserved suffering . After the murder they are discovered " lurking among the rocks " ( IV . 4. 81 ) . The last element of this landscape ...
... tion for murder was greed and revenge , are associated with the " savage rock " of ultimately undeserved suffering . After the murder they are discovered " lurking among the rocks " ( IV . 4. 81 ) . The last element of this landscape ...
Contents
II | 12 |
IV | 72 |
Images of Nature and the Cosmic Structure | 106 |
Copyright | |
5 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime critics darkness death demonic denies describes desire despair dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Oxford Paradise perfection play poet poet's Press question realm recognize relationship Remorse responsible reversal revolutionary role Romantic Romanticism Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tragedy tragic truth turns tyrannical ultimately union Univ universe villain vision wants wedding Wordsworth's York