Lost Angels of a Ruined Paradise: Themes of Cosmic Strife in Romantic Tragedy |
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Page 68
To see Nature as an " infinite series of causes and effects ” evokes in Coleridge a vision of “ a string of blind men , whose infinite blindness supplies the want of sight , " with no one “ at the head to guide them .
To see Nature as an " infinite series of causes and effects ” evokes in Coleridge a vision of “ a string of blind men , whose infinite blindness supplies the want of sight , " with no one “ at the head to guide them .
Page 69
In other words , Coleridge does not concede the validity of Ordonio's vision of Nature ; he makes the reader perceive this negative vision as a sign of the villain's insincerity or shortsightedness . In doing so , the poet insists that ...
In other words , Coleridge does not concede the validity of Ordonio's vision of Nature ; he makes the reader perceive this negative vision as a sign of the villain's insincerity or shortsightedness . In doing so , the poet insists that ...
Page 164
12 M. H. Abrams , “ Coleridge and the Romantic Vision , ” Wed. , Dec. 5 , 1973 , Sir George Williams Univ . , Montreal , verbatim . 13 I borrowed the term “ white romanticism ” from Leslie Fiedler who contrasts Emerson's ...
12 M. H. Abrams , “ Coleridge and the Romantic Vision , ” Wed. , Dec. 5 , 1973 , Sir George Williams Univ . , Montreal , verbatim . 13 I borrowed the term “ white romanticism ” from Leslie Fiedler who contrasts Emerson's ...
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Contents
Introduction 833562119 | 7 |
Wordsworths | 14 |
Coleridges REMORSE | 45 |
Copyright | |
4 other sections not shown
Common terms and phrases
accept action Adam affirm alienation allegorical Alvar appears associated Auranthe Beatrice Beatrice's beauty becomes blind blood Borderers brother Byron called cause Cenci centre character claims Coleridge Coleridge's comes Consequently cosmic crime darkness death demonic denies describes desire despair destruction dilemma direction divine drama effect error evil existence experience face fact faith fall fallen father feels figure final follows forces guilt heart Heaven Hell Herbert hero hero's heroine hope human Idonea Infinite innocence Keats Letter light loss lovers Ludolph man's Manfred Manfred's Marmaduke moral murder Nature offence Ordonio original Oswald Otho Paradise perfection play poet poet's presented Press question realm recognize relationship Remorse representative responsible reversal revolutionary role Romantic Satan scene seems sense Shelley Shelley's significance Spirit spite stands structure suffering symbolic takes Teresa things tion tragedy tragic truth turns tyrannical ultimately union universe villain vision wants wedding Wordsworth's