BOOK IV.1 YET, yet a moment one dim ray of light Now flamed the dog-star's unpropitious ray, She mounts the throne: her head a cloud concealed, In broad effulgence all below revealed; ('Tis thus aspiring Dulness ever shines) Soft on her lap her laureate son reclines. Beneath her footstool, Science groans in chains, And Wit dreads exile, penalties, and pains, There foamed rebellious Logic, gagged and bound, There, stripped, fair Rhet'ric languished on the ground; His blunted arms by Sophistry are borne, 1 This book may properly be distinguished from the former, by the name of the "Greater Dunciad," not so indeed in size, but in subject; and so far contrary to the distinction anciently made of the "Greater" and "Lesser Iliad." But much are they mistaken who imagine this work in any wise inferior to the former, or of any other hand than of our poet; of which I am much more certain than that the "Iliad" itself was the work of Solomon, or the Batrachom uomachia "of Homer, as Barnes hath affirmed.-Bentley. Pope. 2 Invoked as the restoration of their empire is the action of the poem.-Pope. 3 This is a great propriety, for a dull poet can never express himself otherwise than by halves or imperfectly.-Pope, 4 Dull and venal,-Pope, And dies when Dulness gives her Page the word.' Too mad for mere material chains to bind, Watched both by Envy's and by Flattery's eye:* The dagger wont to pierce the tyrant's breast; Nor couldst thou, Chesterfield!" a tear refuse With mincing step, small voice, and languid eye: "O Cara! Cara! silence all that train: Joy to great Chaos! let division reign:' 1 There was a judge of this name, always ready to hang any man that came in his way, of which he was suffered to give a hundred miserable examples during a long life, even to his dotage.-Pope. 2 Alluding to the strange conclusions some mathematicians have deduced from their principles, concerning the real quantity of matter, the reality of space, &c.-Pope. 3 Regards the wild and fruitless attempts of squaring the circle.Pope. 4 One of the misfortunes falling on authors from the act for subjecting plays to the power of a licenser, being the false representations to which they were exposed, from such as either gratified their envy to merit, or made their court to greatness, by perverting general reflections against vice into libels on particular persons.— Pope. 5 This noble person in the year 1737, when the Act was brought into the House of Lords, opposed it in an excellent speech.-Pope. The attitude given to this phantom represents the nature and genius of Italian opera; its affected airs, its effeminate sounds, and the practice of patching up these operas with favorite songs, incoherently put together. These things were supported by the subscriptions of the nobility. This circumstance that opera should prepare for the opening of the grand sessions was prophesied of in book iii. ver. 304.-Pope. 7 Alluding to the false taste of playing tricks in music with numberless divisions, to the neglect of that harmony which conforms to the sense, and applies to the passions. Mr. Handel had introduced a great number of hands, and more variety of instruments into the Chromatic tortures soon shall drive them hence, "" Who gently drawn, and struggling less and less, Nor absent they, no members of her state, orchestra, and employed even drums and cannon to make a fuller chorus; which proved so much too manly for the fine gentlemen of his age, that he was obliged to remove his music into Ireland. After which they were reduced, for want of composers, to practise the patch-work above mentioned.-Pope, Patrons, who sneak from living worth to dead, Then marched the bard and blockhead, side by side. Composed he stood, bold Benson' thrust him by: On whom three hundred gold-capped youths await, When Dulness, smiling-"Thus revive the wits! But murder first, and mince them all to bits; As erst Medea (cruel, so to save!) A new edition of old son gave;5 Let standard authors, thus, like trophies borne, 1 Means Dr. Middleton's laboured encomium on Lord Hervey, in his dedication of the "Life of Cicero."- Warton. 2 Sir Thomas Hanmer, an editor of Shakespeare.-Wakefield. 3 This man endeavoured to raise himself to fame by erecting monuments, striking coins, setting up heads, and procuring translations of Milton; and afterwards by as great passion for Arthur Johnston, a Scotch physician's version of the psalms, of which he printed many fine editions. See more of him, book iii. ver. 325.-Pope. 4 The goddess applauds the practice of tacking the obscure names of persons not eminent in any branch of learning, to those of the most distinguished writers; either by printing editious of their works with impertinent alterations of their text, as in the former instances; or by setting up monuments disgraced with their own vile names and inscriptions, as in the latter.-Pope. 1 Mede, at Jason's request, restored his father son to youth by substituting a magical liquor for his blood, after that had been drained from his throat. And you, my critics! in the chequered shade, So by each bard an alderman shall sit,' And while on fame's triumphal car they ride, Now crowds on crowds around the goddess press, And holds his breeches close with both his hands. Then thus. "Since man from beast by words is known, Words are man's province, words we teach alone. To ask, to guess, to know, as they commence, 1 Pagina, not pedissequus. A page of a book; not a servant, follower, or attendant; no poet having had a page since the death of Mr. Thomas Durfey.-Scriblerus. Pope. 2 Alluding to the monument erected for Butler by Alderman Barber. -Warburton. 8 The letter Y, used by Pythagoras as an emblem of the different roads of virtue and vice. 'Et tibi quæ Samios diduxit litera ramos."-Pers. Pope. 4 This circumstance of the genius loci (with that of the index-hand before) seems to be an allusion to the "Table of Cebes," where the genius of human nature points out the road to be pursued by those entering into life.-Pope, |