Handbook to the fine art collections in the International exhibition of 1862 |
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Page 8
... figure drawing , and in a certain success in colour : but they do not show signs of any systematic pursuit of art , they are not like students of any national Academy . Although there is a less favourable side to these characteristics ...
... figure drawing , and in a certain success in colour : but they do not show signs of any systematic pursuit of art , they are not like students of any national Academy . Although there is a less favourable side to these characteristics ...
Page 14
... figure some suggestion of incident or sentiment , and con- verting the portrait into an ornamental picture . As the old employ- ment of Art for religious purposes died out , this fashion naturally took its place ; but it was carried by ...
... figure some suggestion of incident or sentiment , and con- verting the portrait into an ornamental picture . As the old employ- ment of Art for religious purposes died out , this fashion naturally took its place ; but it was carried by ...
Page 17
... figure , an occasional even nearer nearness to nature in his girls and children . Yet Reynolds seems to me decidedly the greater artist : his grace is the deeper and the more memorable ; when the subject allows , he rises to a peculiar ...
... figure , an occasional even nearer nearness to nature in his girls and children . Yet Reynolds seems to me decidedly the greater artist : his grace is the deeper and the more memorable ; when the subject allows , he rises to a peculiar ...
Page 21
... figure in his mind , ' like Raphael : whilst the false overflows with reasons for everything he does , and complains that his age does him no justice . These remarks may save me from the ungrateful task of criticizing the failures of ...
... figure in his mind , ' like Raphael : whilst the false overflows with reasons for everything he does , and complains that his age does him no justice . These remarks may save me from the ungrateful task of criticizing the failures of ...
Page 22
... figures in the groves of Blarney . This was a natural extravagance to the enthusiastic Irishman ; but must we not be surprized that he whose whole work was given to pictures of a truth and nature rarely equalled , that he who painted ...
... figures in the groves of Blarney . This was a natural extravagance to the enthusiastic Irishman ; but must we not be surprized that he whose whole work was given to pictures of a truth and nature rarely equalled , that he who painted ...
Other editions - View all
Handbook to the Fine Art Collections in the International Exhibition of 1862 ... Francis Turner Palgrave No preview available - 2008 |
Handbook to the Fine Art Collections in the International Exhibition of 1862 Francis Turner Palgrave No preview available - 2019 |
Handbook to the Fine Art Collections in the International Exhibition of 1862 Tbd No preview available - 2020 |
Common terms and phrases
admirable amongst appear ARCHIBALD GEIKIE architecture artist attempt beauty Cambridge century character charm child cloth colour criticism Crown 8vo delicacy delicate drawing Duchess of Devonshire effect England English Art excellent execution exhibited expression exquisite false fancy feeling figure force foreground France Gainsborough genius give Gothic grace HENRY KINGSLEY Hogarth human humour Illustrations imaginative imitation Incident Style invention Italian Italy labour landscape less Line Engraving look M.A. Fellow manner master modern Nature ness never noble noticed ornament P. G. TAIT painter painting passion perhaps Phidias picturesque pleasure poetical poetry Poets portrait qualities rank rarely rendering Reynolds Roman Romanesque ROSNEATH Royal 16mo scene Sculpture Second Edition sense sentiment Shakspeare shows simple sketch specimens spectators spirit story surface sweet taste thought tint Titian tone touch true truly truth Turner University of Edinburgh vital water-colour WESTWARD HO whilst
Popular passages
Page 137 - Architecture is to be regarded by us with the most serious thought. We may live without her, and worship •without- her, but we cannot remember without her. How cold is all history how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears ! how many pages of doubtful record might we not often spare, for a few stones left one upon another...
Page 87 - You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are: And yet, for aught I see, they are as sick, that surfeit with too much, as they that starve with nothing...
Page 16 - British Novelists and their Styles. Being a Critical Sketch of the History of British Prose Fiction. Crown 8vo. 7s. 6d. Life of John Milton.
Page 57 - My story being done, She gave me for my pains a world of sighs: She swore, in faith, 'twas strange, 'twas passing strange, 'Twas pitiful, 'twas wondrous pitiful...
Page 26 - I am well aware how much I lay myself open to the censure and ridicule of the academical professors of other nations, in preferring the humble attempts of Gainsborough to the works of those regular graduates in the great historical style. But we have the sanction of all mankind in preferring genius in a lower rank of art, to feebleness and insipidity in the highest.
Page 23 - The Art which we profess has beauty for its object : this it is our business to discover and to express ; the beauty of which we are in quest is general and intellectual ; it is an idea that subsists only in the mind ; the sight never beheld it, nor has the hand expressed it : it is an idea residing in the breast of the artist, which he is always labouring to impart, and which he dies at last without imparting...
Page 16 - I." Shakespeare and Goethe.— II. Milton's Youth. — III. The Three Devils : Luther's, Milton's, and Goethe's. — IV. Dryden, and the Literature of the Restoration. — V. Dean Swift. — VI. Chatterton : a Story of the Year 1770.— VII. Wordsworth.— VIII. Scottish Influence on British Literature. — IX. Theories of Poetry. — X. Prose and Verse : De Quincey.
Page 28 - When it was understood," said the artist, " that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion ; they both came to my house to dissuade me from running so great a risk. Reynolds began a very ingenious and elegant dissertation on the state of the public taste in this country, and the danger which every innovation incurred of contempt and ridicule, and concluded by urging me earnestly to adopt the costume...
Page 35 - The name of Shakespeare is the greatest in our literature, — it is the greatest in all literature. No man ever came near to him in the creative powers of the mind ; no man had ever such strength at once, and such variety of imagination.