Handbook to the fine art collections in the International exhibition of 1862 |
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Page 1
... Genius : it may bring the message of Angels , but its voice is the downright voice of children . Good Art is straightforward and intelligible in its first B elements to all who bring ears to hear or eyes THE ENGLISH SCHOOL OF OIL-PAINTING.
... Genius : it may bring the message of Angels , but its voice is the downright voice of children . Good Art is straightforward and intelligible in its first B elements to all who bring ears to hear or eyes THE ENGLISH SCHOOL OF OIL-PAINTING.
Page 7
... Genius over all it touches . But it is not only their own Art which such men represent ; like Poets , they give back to the age its forms and feelings ; they embody national tastes and passions ; the mirror they hold up is not so much ...
... Genius over all it touches . But it is not only their own Art which such men represent ; like Poets , they give back to the age its forms and feelings ; they embody national tastes and passions ; the mirror they hold up is not so much ...
Page 9
... genius enough to imagine ; Low Art was the name for pictures of real life , represented as they actually looked to the artist . A great deal was said about ' generalization ' and the broad style , ' and ' the Ideal ' and ' chiaroscuro ...
... genius enough to imagine ; Low Art was the name for pictures of real life , represented as they actually looked to the artist . A great deal was said about ' generalization ' and the broad style , ' and ' the Ideal ' and ' chiaroscuro ...
Page 14
... Genius discovers for us . I have given this little sketch of Reynolds ' early life because it illustrates with force the position of English Art in its beginnings . How he soon fought his way to sympathy and success ; how he was chosen ...
... Genius discovers for us . I have given this little sketch of Reynolds ' early life because it illustrates with force the position of English Art in its beginnings . How he soon fought his way to sympathy and success ; how he was chosen ...
Page 17
... genius , that no wonder he thought them identical , was his guiding principle through a long life of constant education and advance in his art . Yet it may be doubted whether any one of the pictures which to us seem masterpieces ...
... genius , that no wonder he thought them identical , was his guiding principle through a long life of constant education and advance in his art . Yet it may be doubted whether any one of the pictures which to us seem masterpieces ...
Other editions - View all
Handbook to the Fine Art Collections in the International Exhibition of 1862 ... Francis Turner Palgrave No preview available - 2008 |
Handbook to the Fine Art Collections in the International Exhibition of 1862 Francis Turner Palgrave No preview available - 2019 |
Handbook to the Fine Art Collections in the International Exhibition of 1862 Tbd No preview available - 2020 |
Common terms and phrases
admirable amongst appear ARCHIBALD GEIKIE architecture artist attempt beauty Cambridge century character charm child cloth colour criticism Crown 8vo delicacy delicate drawing Duchess of Devonshire effect England English Art excellent execution exhibited expression exquisite false fancy feeling figure force foreground France Gainsborough genius give Gothic grace HENRY KINGSLEY Hogarth human humour Illustrations imaginative imitation Incident Style invention Italian Italy labour landscape less Line Engraving look M.A. Fellow manner master modern Nature ness never noble noticed ornament P. G. TAIT painter painting passion perhaps Phidias picturesque pleasure poetical poetry Poets portrait qualities rank rarely rendering Reynolds Roman Romanesque ROSNEATH Royal 16mo scene Sculpture Second Edition sense sentiment Shakspeare shows simple sketch specimens spectators spirit story surface sweet taste thought tint Titian tone touch true truly truth Turner University of Edinburgh vital water-colour WESTWARD HO whilst
Popular passages
Page 137 - Architecture is to be regarded by us with the most serious thought. We may live without her, and worship •without- her, but we cannot remember without her. How cold is all history how lifeless all imagery, compared to that which the living nation writes, and the uncorrupted marble bears ! how many pages of doubtful record might we not often spare, for a few stones left one upon another...
Page 87 - You would be, sweet madam, if your miseries were in the same abundance as your good fortunes are: And yet, for aught I see, they are as sick, that surfeit with too much, as they that starve with nothing...
Page 16 - British Novelists and their Styles. Being a Critical Sketch of the History of British Prose Fiction. Crown 8vo. 7s. 6d. Life of John Milton.
Page 57 - My story being done, She gave me for my pains a world of sighs: She swore, in faith, 'twas strange, 'twas passing strange, 'Twas pitiful, 'twas wondrous pitiful...
Page 26 - I am well aware how much I lay myself open to the censure and ridicule of the academical professors of other nations, in preferring the humble attempts of Gainsborough to the works of those regular graduates in the great historical style. But we have the sanction of all mankind in preferring genius in a lower rank of art, to feebleness and insipidity in the highest.
Page 23 - The Art which we profess has beauty for its object : this it is our business to discover and to express ; the beauty of which we are in quest is general and intellectual ; it is an idea that subsists only in the mind ; the sight never beheld it, nor has the hand expressed it : it is an idea residing in the breast of the artist, which he is always labouring to impart, and which he dies at last without imparting...
Page 16 - I." Shakespeare and Goethe.— II. Milton's Youth. — III. The Three Devils : Luther's, Milton's, and Goethe's. — IV. Dryden, and the Literature of the Restoration. — V. Dean Swift. — VI. Chatterton : a Story of the Year 1770.— VII. Wordsworth.— VIII. Scottish Influence on British Literature. — IX. Theories of Poetry. — X. Prose and Verse : De Quincey.
Page 28 - When it was understood," said the artist, " that I intended to paint the characters as they had actually appeared on the scene, the Archbishop of York called on Reynolds, and asked his opinion ; they both came to my house to dissuade me from running so great a risk. Reynolds began a very ingenious and elegant dissertation on the state of the public taste in this country, and the danger which every innovation incurred of contempt and ridicule, and concluded by urging me earnestly to adopt the costume...
Page 35 - The name of Shakespeare is the greatest in our literature, — it is the greatest in all literature. No man ever came near to him in the creative powers of the mind ; no man had ever such strength at once, and such variety of imagination.