Counterpoint: A Practical Course of Study |
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Page 2
... chord , which , however , is unavailable in strict diatonic counterpoint , and its use is peculiar to the modern free style . at the distance of an 8th and a 3rd , คง CHAP . I. INTRODUCTORY . CHAP INTRODUCTORY INTERVALS.
... chord , which , however , is unavailable in strict diatonic counterpoint , and its use is peculiar to the modern free style . at the distance of an 8th and a 3rd , คง CHAP . I. INTRODUCTORY . CHAP INTRODUCTORY INTERVALS.
Page 3
... diatonic or major ; the second ( with all semitones of which both notes are on a line or both in a space , or of which both notes have the same alphabetical name ) is chromatic or minor . The higher note of a major semitone has 16 ...
... diatonic or major ; the second ( with all semitones of which both notes are on a line or both in a space , or of which both notes have the same alphabetical name ) is chromatic or minor . The higher note of a major semitone has 16 ...
Page 5
... diatonic when the notes are in unbroken alphabetical order . It is chromatic when the seven diatonic notes are inter- spersed with the five inflected notes , and then comprises twelve sounds . It is pentaphonic when the 4th and 7th ...
... diatonic when the notes are in unbroken alphabetical order . It is chromatic when the seven diatonic notes are inter- spersed with the five inflected notes , and then comprises twelve sounds . It is pentaphonic when the 4th and 7th ...
Page 10
... application is limited to the modern , free , or chromatic style of music , and is wholly unavailable in Diatonic Contrapuntal writing . 39. No two parts may proceed in unison ( or 10 CHAP . IV . PROGRESSION OF PARTS .
... application is limited to the modern , free , or chromatic style of music , and is wholly unavailable in Diatonic Contrapuntal writing . 39. No two parts may proceed in unison ( or 10 CHAP . IV . PROGRESSION OF PARTS .
Page 15
... diatonic counterpoint . The leading - note is a discord in the triad of the mediant in both minor and major forms of a key , and , as such , requires special treatment ( Sects . 20 , 196 , 296 ) . 59. Notes are related to one another ...
... diatonic counterpoint . The leading - note is a discord in the triad of the mediant in both minor and major forms of a key , and , as such , requires special treatment ( Sects . 20 , 196 , 296 ) . 59. Notes are related to one another ...
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Common terms and phrases
17 Paternoster Row accent appoggiatura approached by leap arpeggio augmented bass note bass-note Cambridge Warehouse chromatic chromatic scale cloth combination common chord concord contrapuntal contrary motion crotchet Demy Octavo diminished 5th dominant Double Counterpoint Edited effect elemental note English Notes Fellow of St Fellow of Trinity Fifth Species figure forms of Cadence free style full close Greek harmony inverted root key-note late Fellow leading-note M. T. CICERONIS major 3rd major form mediant melody minor form minor key models of Exercises modern modes moving-notes note of resolution passing-note perfect 5th perfect interval proceed Professor progression resolved second inversion Second Species semibreves similar motion sounded Species of Counterpoint Species Sects St Catharine's College St John's College student subdominant Subject submediant supertonic suspended 4th suspended discord syncopation tetrachord Third Species three-part Counterpoint tonic triad Trinity College Triple Counterpoint two-part Counterpoint undesirable University of Cambridge upper written
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