Counterpoint: A Practical Course of Study |
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Page 5
... dominant major 13th ) , the discordance of which is disputed , though examples of its good effect are referable to one or another rule for the treatment of discords , or else to the rules of sequence . CHAPTER III . SCALES , MODES , AND ...
... dominant major 13th ) , the discordance of which is disputed , though examples of its good effect are referable to one or another rule for the treatment of discords , or else to the rules of sequence . CHAPTER III . SCALES , MODES , AND ...
Page 6
... dominant , invariably in this order as to tones and semitones- D ..... Four modes were Authentic , with the tonic and dominant at the interval of a fifth , the Dorian beginning from D ) , the Phrygian from E , the Lydian from F , and ...
... dominant , invariably in this order as to tones and semitones- D ..... Four modes were Authentic , with the tonic and dominant at the interval of a fifth , the Dorian beginning from D ) , the Phrygian from E , the Lydian from F , and ...
Page 8
... Dominant . Leading - note . Minor tone . Major tone . Major semitone . Augmented 2nd . CHROMATIC SCALE OF C MINOR ... Dominant . bo Major 6th . Minor 6th . Perfect 5th of D. Variable from 80 to 81 , Tonic . if 3rd of F or perfect 5th of ...
... Dominant . Leading - note . Minor tone . Major tone . Major semitone . Augmented 2nd . CHROMATIC SCALE OF C MINOR ... Dominant . bo Major 6th . Minor 6th . Perfect 5th of D. Variable from 80 to 81 , Tonic . if 3rd of F or perfect 5th of ...
Page 12
... dominant is approached from the harmony of the key - note , and when the 5th of the key - note is approached from the harmony of the subdominant , also when the 8th of the key - note is approached from the harmony of the dominant , and ...
... dominant is approached from the harmony of the key - note , and when the 5th of the key - note is approached from the harmony of the subdominant , also when the 8th of the key - note is approached from the harmony of the dominant , and ...
Page 13
... dominant , upon of the key - note , is peculiar to the modern free style , and unavailable in strict counterpoint ; as is also the more familiar resolution of the 7th from the root , in the second inversion of the dominant chord , upon ...
... dominant , upon of the key - note , is peculiar to the modern free style , and unavailable in strict counterpoint ; as is also the more familiar resolution of the 7th from the root , in the second inversion of the dominant chord , upon ...
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Common terms and phrases
17 Paternoster Row accent appoggiatura approached by leap arpeggio augmented bass note bass-note Cambridge Warehouse chromatic chromatic scale cloth combination common chord concord contrapuntal contrary motion crotchet Demy Octavo diminished 5th dominant Double Counterpoint Edited effect elemental note English Notes Fellow of St Fellow of Trinity Fifth Species figure forms of Cadence free style full close Greek harmony inverted root key-note late Fellow leading-note M. T. CICERONIS major 3rd major form mediant melody minor form minor key models of Exercises modern modes moving-notes note of resolution passing-note perfect 5th perfect interval proceed Professor progression resolved second inversion Second Species semibreves similar motion sounded Species of Counterpoint Species Sects St Catharine's College St John's College student subdominant Subject submediant supertonic suspended 4th suspended discord syncopation tetrachord Third Species three-part Counterpoint tonic triad Trinity College Triple Counterpoint two-part Counterpoint undesirable University of Cambridge upper written
Popular passages
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