Counterpoint: A Practical Course of Study |
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Page 5
... upper parts , and not so when between the bass and any upper part . 23. A mode , with the Greeks , was a CHAP . III 5 SCALES , MODES , AND KEYS . SCALES, Modes, and KEYS.
... upper parts , and not so when between the bass and any upper part . 23. A mode , with the Greeks , was a CHAP . III 5 SCALES , MODES , AND KEYS . SCALES, Modes, and KEYS.
Page 11
... upper part may proceed in 4ths with the bass . There is no bad effect in consecutive 4ths between two upper parts with one or more parts moving below them . Good . 5 If , however , some parts hold longer notes while others proceed in ...
... upper part may proceed in 4ths with the bass . There is no bad effect in consecutive 4ths between two upper parts with one or more parts moving below them . Good . 5 If , however , some parts hold longer notes while others proceed in ...
Page 13
... upper part , and an upper part should not proceed to a lower note ( a ) These last nine rules ( Sects . 37 to 45 ) refer to the specialities of perfect intervals ( Sect . 13 ) , and prove the need of a distinctive title for the 1st and ...
... upper part , and an upper part should not proceed to a lower note ( a ) These last nine rules ( Sects . 37 to 45 ) refer to the specialities of perfect intervals ( Sect . 13 ) , and prove the need of a distinctive title for the 1st and ...
Page 14
... upper part proceeding below an under part , or an under proceeding above an upper part ) obscures the part - writing , and is only permissible when the shorter notes of one part cross the longer notes of another , so that the ...
... upper part proceeding below an under part , or an under proceeding above an upper part ) obscures the part - writing , and is only permissible when the shorter notes of one part cross the longer notes of another , so that the ...
Page 17
... upper parts . When this interval stands between two upper parts with the 3rd of the triad below it , the discordance is so far dispelled that the inverted triad ranks in the class of concords ( Sect . 7 ) . ( a ) or 69. The triad of the ...
... upper parts . When this interval stands between two upper parts with the 3rd of the triad below it , the discordance is so far dispelled that the inverted triad ranks in the class of concords ( Sect . 7 ) . ( a ) or 69. The triad of the ...
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Common terms and phrases
17 Paternoster Row accent appoggiatura approached by leap arpeggio augmented bass note bass-note Cambridge Warehouse chromatic chromatic scale cloth combination common chord concord contrapuntal contrary motion crotchet Demy Octavo diminished 5th dominant Double Counterpoint Edited effect elemental note English Notes Fellow of St Fellow of Trinity Fifth Species figure forms of Cadence free style full close Greek harmony inverted root key-note late Fellow leading-note M. T. CICERONIS major 3rd major form mediant melody minor form minor key models of Exercises modern modes moving-notes note of resolution passing-note perfect 5th perfect interval proceed Professor progression resolved second inversion Second Species semibreves similar motion sounded Species of Counterpoint Species Sects St Catharine's College St John's College student subdominant Subject submediant supertonic suspended 4th suspended discord syncopation tetrachord Third Species three-part Counterpoint tonic triad Trinity College Triple Counterpoint two-part Counterpoint undesirable University of Cambridge upper written
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