"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance Drama |
Contents
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Copyright | |
4 other sections not shown
Common terms and phrases
accused Almachildes appearance Artesia aspect associated audience Banquo belief in witchcraft Ben Jonson Birth of Merlin Braunmuller Calib character charm classical concept conjuring contemporary context Corbin and Sedge Cynthia death demons devil devil-dog Dipsas edition Elizabethan Endymion England English Renaissance drama Erictho Esche evil fear female function further Hattaway Hecate hell Henry human identifies Idololatria interpretation Introd Jacobean Joan Joan's Jonson King Lady Macbeth Lancashire London lust magic Magie male maleficium Malleus maleficarum Masque of Queens Maudlin Medea Merlin Middleton Mistress Moll Mother Sawyer murder nature night notes occult Orgel Ovid passage play Poneria powers prophecies Prospero Pucelle refers remarks Rhodon Riehle role sabbath scene Scot sexual Shakespeare Shepherd Sophonisba sorcery spirits stage suggests supernatural Sycorax Syphax Tarpax Tellus Tetzeli thee Thomas Thomas Dekker thou tion Weird Sisters William Shakespeare witch figures witch hunts Witch of Edmonton woman women words