The Journal of the Bihar Research Society, Volume 12, Issue 4 |
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Page 453
... Motif in Ancient Indian Literature By N. C. Mehta , I.C.S. 498-502 V. Asura Institutions ... ... ... 503-539 By Dr. A. Banerji - Sastri , M. 4. , Ph.D. ( Oxon . ) VI . Ostracism in Ancient Indian Society 540-559 By Manmatho Nath Ray , M ...
... Motif in Ancient Indian Literature By N. C. Mehta , I.C.S. 498-502 V. Asura Institutions ... ... ... 503-539 By Dr. A. Banerji - Sastri , M. 4. , Ph.D. ( Oxon . ) VI . Ostracism in Ancient Indian Society 540-559 By Manmatho Nath Ray , M ...
Page 469
... motifs does not justify the supposition of Greek origin or Greek influence . Where is the classical order in the Indian forms ? The mere existence of the motif of acanthus or abacus with variation does not identify a column as belonging ...
... motifs does not justify the supposition of Greek origin or Greek influence . Where is the classical order in the Indian forms ? The mere existence of the motif of acanthus or abacus with variation does not identify a column as belonging ...
Page 497
... dhuria kādō . Charput maitra kōn kōn bik ehhär . Ghaté sé ghata jhāro - Dhartimähä märō . Hämär hathé chhuō hō bik māti . IV - The Pictorial Motif in Ancient Indian Literature By VOL . XII . PT . IV . ] 497 EXORCISM AMONG THE ORAONS.
... dhuria kādō . Charput maitra kōn kōn bik ehhär . Ghaté sé ghata jhāro - Dhartimähä märō . Hämär hathé chhuō hō bik māti . IV - The Pictorial Motif in Ancient Indian Literature By VOL . XII . PT . IV . ] 497 EXORCISM AMONG THE ORAONS.
Page 498
Bihar Research Society. IV - The Pictorial Motif in Ancient Indian Literature By Mr. N. C. Mehta , I.C.S. The extent to which a picture has been used by Indian writers ... Motif in Ancient Indian Literature By N C Mehta, I C 498-502.
Bihar Research Society. IV - The Pictorial Motif in Ancient Indian Literature By Mr. N. C. Mehta , I.C.S. The extent to which a picture has been used by Indian writers ... Motif in Ancient Indian Literature By N C Mehta, I C 498-502.
Page 499
... motif . The picture plays an important rôle in Ratnavali and Priyadarsana by Harsha . The action of Bhavabhūti's Uttara Ramacharita really begins with the inspection of a pictorial roll painted by one Arjuna . The use of the picture motif ...
... motif . The picture plays an important rôle in Ratnavali and Priyadarsana by Harsha . The action of Bhavabhūti's Uttara Ramacharita really begins with the inspection of a pictorial roll painted by one Arjuna . The use of the picture motif ...
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Common terms and phrases
୮ ୮ ୮ ancient arua arua rice Aryan Assyria Asura Atharvaveda bāndhō bāns bhingul jāl Tohara bhut Bihar Bihar and Orissa Brahman Brāhmaṇa brahmin brother Buddhist century chahi Chandra-Gupta daughter degraded deities deota Dharmakirti Dimnāga Dravidians excommunication father female Folktales Gandhara goddess grains Greek ground guilty Gupta Guru hāi Hindu husband Ibid India Indian architecture Indian Logic inscription jackal Jātaka Kadamba Kakusthavarmma Kāli Kālidāsa Kathasaritsagara ketek killing Kongada kurthi lamp lord of Kuntala Macdonell and Keith māi mango mantras Manu marriage married mati matrilineal mother Mother-Goddess motif nehi Nerthus Nṛtu Oraon Orissa ostracised Pañcatantra pāni Patita patriarchal pinṛ Pravarasēna pre-Aryan prince rāja Ranth reference Samudra-Gupta Santali Santali story says sindur singhi sinner stanza Śūdra Sumirō māiā Tait Tamluk temple Tibetan torch Udyotakara Usas Vada-vidhi Vākāṭaka Vasubandhu Vedas Vedic Vedic Arya village wife woman women Zoroastrian