And however gay the music, chords of sadness strike my heart, Chords of sadness mix'd with gladness, for on earth all is not woe, We may still count friends as treasures though death's dark stream us may part, And dear scenes our own still reckon though time's tides between us flow. THE FORMAL GARDEN. In a close low hill-girt midland valley Here a dial with a pompous motto, There a fountain squirting in a tank; Here a wide-cut and pretentious vista With an avenue its own twin sister, Where a Dutchman's heart would rest content. Are those fish alive, or imitations, Which in yonder semicircle swim? Made by hand those formal pine plantations Well, indeed, my lord, you banish'd Nature, Nobly over her with shears you reign; If she does but show one single feature, Clip! it vanishes from your domain. Well, indeed, my lord, you have succeeded, Everything that Nature had design'd. A PICTURE.* BENEATH a pine in Nargon's waveworn isle A fisher's net was mending, and the while, Beside her; his young face, devoid of guile, Could speak; and yet they spoke, and understood * From R. J. Hughes's "Log of the Pet." GOD HELP THE ENGLISH POOR! O LORD, how long? how long shall Thy beloved The bleak wind blew across the fen, The snow fell on the moor, A wizen'd, wither'd man was he From the wind across the fen. |