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Page 10
... proper , and fome improper , fo are triphthongs . Proper , where each found is diftinguish- ed and audible , the firft coalefcing or melting into the other , and forming but one fyllable , as in the words day , quail , cight , eye ...
... proper , and fome improper , fo are triphthongs . Proper , where each found is diftinguish- ed and audible , the firft coalefcing or melting into the other , and forming but one fyllable , as in the words day , quail , cight , eye ...
Page 11
... properly , diftinctly , and elegantly , either in English , French , Italian , or any other language whatever , after a manner , which , it is faid , was infpired into the ancient Greeks , Graiis ingenium , Graiis dedit ore rotundo Mufa ...
... properly , diftinctly , and elegantly , either in English , French , Italian , or any other language whatever , after a manner , which , it is faid , was infpired into the ancient Greeks , Graiis ingenium , Graiis dedit ore rotundo Mufa ...
Page 14
... proper rotundity to the founds , and a sweetness fuperior to that of any inftrument whatever . It is It is upon this principle that all wind inftruments termi- nate with circularity . It is eafy to conceive from what hath been obferved ...
... proper rotundity to the founds , and a sweetness fuperior to that of any inftrument whatever . It is It is upon this principle that all wind inftruments termi- nate with circularity . It is eafy to conceive from what hath been obferved ...
Page 15
... proper and improper , of every language , the voice fhould be fhort as poffible on the narrow vowel , and be forcible , or continue on the open , as on the open u in hear , fear , cheer , life , beauty ; on o in out ; on a in way ...
... proper and improper , of every language , the voice fhould be fhort as poffible on the narrow vowel , and be forcible , or continue on the open , as on the open u in hear , fear , cheer , life , beauty ; on o in out ; on a in way ...
Page 17
... that it is easier to defcend with the voice than to afcend , the oppofite practice might be found equally proper for ftriking the tones , and certainly much C better better for forming the voice , beginning with the best MUSIC K. 17.
... that it is easier to defcend with the voice than to afcend , the oppofite practice might be found equally proper for ftriking the tones , and certainly much C better better for forming the voice , beginning with the best MUSIC K. 17.
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Common terms and phrases
accent Achilles Æneas Æneid againſt Agamemnon agreeable alfo almoſt alſo anger anſwer appogiatura becauſe beſt Calchas called cauſe cloſe compofition confonants dactyles defcribed defcription divifions earth Engliſh epic eſpecially evil expreffed faid fame fays feems felf fenfe fentence ferve feven fhall fhort fhould fimple finging fingle firft firſt foft fome fpeaker fpeaking fpeech ftand ftop fubject fuch fuppofe fyllables graces Grecian Greek hath heaven Hector hero himſelf Homer Homer and Virgil human voice iambick Iliad inftruction inftrument inſtead Jupiter juſt language laſt Latin lefs meaſure Milton Mofes moft moſt mufe mufick muſt nature numbers obferved occafions paffions Patroclus perfon plain pleaſing pleaſure poem poet poetry praiſe prayer prefent Priam profe purpoſe Quintilian raiſe reader reafon ſays ſenſe ſhake ſhall ſhort ſpeaking Spondee ſtop taſte thee thefe themſelves theſe thofe thoſe thou tion tones triphthongs trochee Trojan underſtanding uſe verfe verſe Virgil voice vowels wiſdom words
Popular passages
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