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RICHARD BRINSLEY SHERIDAN

After the painting by Sir Joshua Reynolds

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the first Matthews was wounded; in the second both fought until their swords were broken, and they themselves severely wounded. After a time Mr. Linley consented to the match. In the Gentleman's Magazine appeared the notice: " April 13, 1773, Mr. Sheridan of The Temple to the celebrated Miss Linley of Bath." They retired to a cottage at East Burnham, going up to London in the winter. Owing to his talent and wit, and the manners and accomplishments of Mrs. Sheridan, they were received into the best society. But he was not idle in the meantime, for in January, 1775, 'The Rivals' was produced. It was coldly received on the first night, but it soon took its position as a classic and stock piece. In the same year he produced the farce 'St. Patrick's Day,' and soon after his comic opera of The Duenna' appeared at Covent Garden, and ran for ninetyfive nights. But notwithstanding his success as a dramatic writer, so great was his extravagance that financial embarrassments had already begun to press upon him, and while his country-house was filled with lively parties, enjoying his hospitality and his wit, the dark clouds of debt hovered over him.

The great actor-manager Garrick retired in 1775 and Sheridan and others obtained possession of Drury Lane Theater. His fatherin-law, Mr. Linley, Dr. Fordyce, and two other friends advanced the necessary funds for this, and Sheridan entered upon his new career determined to succeed. But no one could be worse fitted to carry on a great financial enterprise such as Drury Lane Theater. On opening the house under its new management Sheridan produced 'A Trip to Scarborough,' being an alteration of Vanbrugh's comedy 'The Relapse,' but it proved a failure.

"Finished at last, thank God!" he scribbled on the last page of the manuscript of 'The School for Scandal,' to which the prompter of the theater added an appropriate "Amen." It was first brought out in 1777 and at once took its place as the finest comedy in the English language. This proved a source of income to him all through his life. In 1778 he appointed his father manager of the theater, thinking that the old man's experience might act in some sort as a balance to the rashness of the young one. In 1779, the year of Garrick's death, Sheridan wrote some verses to his memory, and 'The Critic, or a Tragedy Rehearsed,' a farce, which was a model of its kind. In the same year also his father, after a vain attempt to deal with the disordered state of affairs at the theater, resigned his post. The entrance of Sheridan into the field of politics however postponed the crash. He was returned for Stafford in 1780 and was a Member of Parliament for over thirty years. From the first he joined with his friend Fox, and this of course led him to advocate the cause of the Prince of Wales, with whom he soon became too closely acquainted for his benefit. In 1782 he became Under Secretary of State; in 1783 Secretary of the Treasury; in 1806 Treasurer of the Navy and Privy Councilor; in the later year he was also elected Member for Westminster, but he lost his seat in 1807. His Parliamentary reputation as an orator was all this time growing, until it reached its culminating point in the speech on the impeachment of Warren Hastings, which Lord Macaulay calls "the most elaborately brilliant of all the productions of his ingenious mind. The impression

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