Keats's Shakespeare: A Descriptive Study Based on New Material |
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... play in volume one , which is freely marked and clearly much read , and five of the others are to plays in the first two volumes , which are those , I believe , he was reading very specially at this time . One of the significant and new ...
... play in volume one , which is freely marked and clearly much read , and five of the others are to plays in the first two volumes , which are those , I believe , he was reading very specially at this time . One of the significant and new ...
Page 3
... plays have been most constantly read. This can be seen even in the photograph; compare, for instance, the sharp edge of the paper and clean crisp appearance of a page from Troilus and Cressida (Plate 2), a play not read by Keats in this ...
... plays have been most constantly read. This can be seen even in the photograph; compare, for instance, the sharp edge of the paper and clean crisp appearance of a page from Troilus and Cressida (Plate 2), a play not read by Keats in this ...
Page 2
... play showing no signs of having been read in this edition Compare it with pages from The Tempest , A Midsummer Night's Dream , and Antony and Cleopatra , plates 3 , 4 , and 11 PLAT which plays Keats read and marked most . Quite apart.
... play showing no signs of having been read in this edition Compare it with pages from The Tempest , A Midsummer Night's Dream , and Antony and Cleopatra , plates 3 , 4 , and 11 PLAT which plays Keats read and marked most . Quite apart.
Page 3
... plays have been most constantly read . This can be seen even in the photograph ; compare , for instance , the sharp edge of the paper and clean crisp appearance of a page from Troilus and Cressida ( Plate 2 ) , a play not read by Keats ...
... plays have been most constantly read . This can be seen even in the photograph ; compare , for instance , the sharp edge of the paper and clean crisp appearance of a page from Troilus and Cressida ( Plate 2 ) , a play not read by Keats ...
Page 4
... play com- piled from the three parts of Henry VI . The puzzle is in what copy of Shakespeare he read them , for in his folio edition , as in these volumes , the pages of these plays look noticeably fresh and unread . There are no marks ...
... play com- piled from the three parts of Henry VI . The puzzle is in what copy of Shakespeare he read them , for in his folio edition , as in these volumes , the pages of these plays look noticeably fresh and unread . There are no marks ...
Other editions - View all
Keats's Shakespeare: A Descriptive Study Caroline Frances Eleanor Spurgeon No preview available - 1966 |
Common terms and phrases
Achil Agamemnon Antony and Cleopatra beauty breath Cæsar Caliban Char Charmian Cleo Cres death delight dost doth Duke ears earth Endymion Enter Euen euery Exeunt Exit eyes fair fairy fear folio edition giue Hampstead hand hath haue hear heart heaven Hect Hector hither imagination IRAS Isab Joseph Severn Keats KEATS'S NOTE Keats's script King Lear kiss letter lines look Lord loue Lucio marked master Measure for Measure Midsummer Night's Dream nature Nestor night PANDARUS passage Plate play Poems poet poetry Pros PROSPERO Puck queen Re-enter ARIEL SCENE Severn Shakespeare Shakespearian side-marks sleep sonnet soule sound speak speech spirit strange sweet Sycorax tell Tempest thee thine thing thou art thou hast thou shalt thought Tita Titania TITUS ANDRONICUS tongue Troilus and Cressida Troy underlined Vlis volume weep winds Winter's Tale
Popular passages
Page 69 - Full fathom five thy father lies; Of his bones are coral made; Those are pearls that were his eyes: Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell: Hark! now I hear them, — ding-dong, bell.
Page 56 - Some heavenly music, (which even now I do,) To work mine end upon their senses, that This airy charm is for, I'll break my staff, Bury it certain fathoms in the earth, And, deeper than did ever plummet sound, I'll drown my book.
Page 60 - If by your art, my dearest father, you have Put the wild waters in this roar, allay them. The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out.
Page 75 - Be not afeard ; the isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that, when I waked, I cried to dream again.
Page 91 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Page 26 - And sable curls all silver'd o'er with white, When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard...
Page 74 - I have broke your hest to say so ! Fer. Admir'd Miranda! Indeed, the top of admiration ; worth What's dearest to the world ! Full many a lady I have ey'd with best regard ; and many a time The harmony of their tongues hath into bondage Brought my too diligent ear...
Page 110 - Be absolute for death ; either death, or life, Shall thereby be the sweeter. Reason thus with life : — If I do lose thee, I do lose a thing That none but fools would keep : a breath thou art, Servile to all the skyey influences, That dost this habitation, where thou keep'st, Hourly afflict.
Page 69 - ARIEL'S song. Come unto these yellow sands, And then take hands: Courtsied when you have and kiss'd The wild waves whist, Foot it featly here and there; And, sweet sprites, the burthen bear. Hark, hark! Burthen [dispersedly, within The watch-dogs bark! Burthen Bow-wow Hark, hark! I hear The strain of strutting chanticleer Cry, Cock-a-diddle-dow. FERDINAND Where should this music be? i
Page 111 - Dar'st thou die ? The sense of death is most in apprehension ; And the poor beetle, that we tread upon, In corporal sufferance finds a pang as great As when a giant dies.