Byron: Romantic Paradox |
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accepted action admired appeal artistic Blessington cantos century character Childe Harold classic common complete composed composition conscious contemporaries criticism Don Juan drama effect emotion England English English Bards entirely epic experience expression fact feel final friends genius give hand humor Ibid ideal imagination immediate individual inspiration Italy lack largely later least less letters literary living look Lord Byron Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit style taste theory things thought tion tone tradition tragedy true truth turn verse whole writing written wrote