Byron: Romantic Paradox |
From inside the book
Results 1-3 of 11
Page 218
70 80 81 89 84 80 01 0 4 ** Ibid . , p . 68 . ** L. and J. , V , 479 . Trelawny , op . cit . , p . 22 . ** L. and J. , V , 215. See also ibid . , VI , 249 , 448 . See ibid . , p . 76 . Karl Koenig , Die Entstehung von Byrons English ...
70 80 81 89 84 80 01 0 4 ** Ibid . , p . 68 . ** L. and J. , V , 479 . Trelawny , op . cit . , p . 22 . ** L. and J. , V , 215. See also ibid . , VI , 249 , 448 . See ibid . , p . 76 . Karl Koenig , Die Entstehung von Byrons English ...
Page 222
Ibid . , pp . 217-18 . Ibid . , pp . 243-44 . Ibid . , p . 347 . » Ibid . , p . 372 . Medwin , p . 108 . Poetry , V , 474 n . L. and J. , V , 244 . Ibid . , p . 372 . Ibid . , p . 218 . 1 . c . , Johnson . L. and J. , V , 284 .
Ibid . , pp . 217-18 . Ibid . , pp . 243-44 . Ibid . , p . 347 . » Ibid . , p . 372 . Medwin , p . 108 . Poetry , V , 474 n . L. and J. , V , 244 . Ibid . , p . 372 . Ibid . , p . 218 . 1 . c . , Johnson . L. and J. , V , 284 .
Page 224
Ibid . , can . 11 , st . 60 n . Hobhouse , II , 57 . Don Juan . “ Dedication , ” st . 8 . Poetics , IX , 1 . Don Juan , can . vii , st . 2 . 24 Ibid . , can . xv , st . 19 . Memoirs . of John Murray , p . 414 .
Ibid . , can . 11 , st . 60 n . Hobhouse , II , 57 . Don Juan . “ Dedication , ” st . 8 . Poetics , IX , 1 . Don Juan , can . vii , st . 2 . 24 Ibid . , can . xv , st . 19 . Memoirs . of John Murray , p . 414 .
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
accepted action admired affected appeal artistic attack Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious contemporaries criticism Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote