Byron: Romantic Paradox |
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Page 44
... attack on critics , much after the style of the opening of Pope's Essay on Criticism , with the text that all ... attacked in the accepted breath- lessly inclusive fashion . The author , sighing for the good old times and despising the ...
... attack on critics , much after the style of the opening of Pope's Essay on Criticism , with the text that all ... attacked in the accepted breath- lessly inclusive fashion . The author , sighing for the good old times and despising the ...
Page 153
... attacked the contemporary theatre , and called for a return of the golden days of the past , but the mood was too much ... attack on the theatre , largely in imitation of his original . During this period , at any rate , he was familiar ...
... attacked the contemporary theatre , and called for a return of the golden days of the past , but the mood was too much ... attack on the theatre , largely in imitation of his original . During this period , at any rate , he was familiar ...
Page 184
... attacks on Southey and Castlereagh in the dedication are but momentary exhibitions of spleen ; they might be removed entire without marring the poem . The description of Donna Inez , if it is meant to satirize Lady Byron , has enough of ...
... attacks on Southey and Castlereagh in the dedication are but momentary exhibitions of spleen ; they might be removed entire without marring the poem . The description of Donna Inez , if it is meant to satirize Lady Byron , has enough of ...
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accepted action admired appeal artistic Blessington cantos century character Childe Harold classic common complete composed composition conscious contemporaries criticism Don Juan drama effect emotion England English English Bards entirely epic experience expression fact feel final friends genius give hand humor Ibid ideal imagination immediate individual inspiration Italy lack largely later least less letters literary living look Lord Byron Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit style taste theory things thought tion tone tradition tragedy true truth turn verse whole writing written wrote