Byron: Romantic Paradox |
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Page 79
In fact I never looked beyond the moment of composition , and published merely at the request of my friends • poetic fame is by no means the ' acme of my wishes . " He ' refers to the volume as " the offspring of my poetic mania .
In fact I never looked beyond the moment of composition , and published merely at the request of my friends • poetic fame is by no means the ' acme of my wishes . " He ' refers to the volume as " the offspring of my poetic mania .
Page 93
Of the external conditions of writing , we have word here and there in the reports of his friends and in occasional assertions in his own conversations and correspondence . He wrote , usually , at night , 89 after returning from the ...
Of the external conditions of writing , we have word here and there in the reports of his friends and in occasional assertions in his own conversations and correspondence . He wrote , usually , at night , 89 after returning from the ...
Page 205
Furthermore , for once he was a better critic of his style than were his friends . In serious verse , in the heroic couplet , even in the drama , his taste had been uncertain . He could not choose between words that had almost the same ...
Furthermore , for once he was a better critic of his style than were his friends . In serious verse , in the heroic couplet , even in the drama , his taste had been uncertain . He could not choose between words that had almost the same ...
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accepted action admired affected appeal artistic Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious criticism direct Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid idea ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote