Byron: Romantic Paradox |
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Page 10
Excess of desire , inflamed by the imagination and never held in check , threw Byron into a fatalism of passion , which he was forever , unsuccessfully , justifying to himself . “ I cannot exist without some object of love .
Excess of desire , inflamed by the imagination and never held in check , threw Byron into a fatalism of passion , which he was forever , unsuccessfully , justifying to himself . “ I cannot exist without some object of love .
Page 79
In fact I never looked beyond the moment of composition , and published merely at the request of my friends • poetic fame is by no means the ' acme of my wishes . " He ' refers to the volume as " the offspring of my poetic mania .
In fact I never looked beyond the moment of composition , and published merely at the request of my friends • poetic fame is by no means the ' acme of my wishes . " He ' refers to the volume as " the offspring of my poetic mania .
Page 190
I dare swear ... that his digressions and repetitions generate one another , and that the happy jingle of some of his comical rhymes has led him on to episodes of which he never originally thought . " 86 The digressions , however , are ...
I dare swear ... that his digressions and repetitions generate one another , and that the happy jingle of some of his comical rhymes has led him on to episodes of which he never originally thought . " 86 The digressions , however , are ...
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accepted action admired affected appeal artistic attack Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious contemporaries criticism Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote