Byron: Romantic Paradox |
From inside the book
Results 1-3 of 36
Page 49
Any body of critical opinion , taken as scattered excerpts from his poems , letters , and journals , may be fitted easily into the classic tradition . It does not matter that his interpretations are sometimes new ; his emphasis ...
Any body of critical opinion , taken as scattered excerpts from his poems , letters , and journals , may be fitted easily into the classic tradition . It does not matter that his interpretations are sometimes new ; his emphasis ...
Page 101
Their opinion , and the surviving principle of taste , the tradition inherited from classicism , he accepts as his conscience ; but it is never so fixed inside him that he knows just what it is . He is , after all , a barbarian who ...
Their opinion , and the surviving principle of taste , the tradition inherited from classicism , he accepts as his conscience ; but it is never so fixed inside him that he knows just what it is . He is , after all , a barbarian who ...
Page 146
And since it is his opinion of what he looks upon , and apropos his opinion of everything else , he is at perfect liberty to say what he wishes , so long as he does not depart from his style . Byron takes advantage of this liberty by ...
And since it is his opinion of what he looks upon , and apropos his opinion of everything else , he is at perfect liberty to say what he wishes , so long as he does not depart from his style . Byron takes advantage of this liberty by ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
accepted action admired affected appeal artistic attack Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious contemporaries criticism Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote