Byron: Romantic Paradox |
From inside the book
Results 1-3 of 29
Page 15
25 His philosophy is more theoretical than practical , he admits of himself , and never at hand when he has need of it ; he is " constancy in the abstract , faithful to people on the ' high seas ' than if they were on shore .
25 His philosophy is more theoretical than practical , he admits of himself , and never at hand when he has need of it ; he is " constancy in the abstract , faithful to people on the ' high seas ' than if they were on shore .
Page 74
CHAPTER IV THE PRACTICAL POET I N discussing Byron as artist I shall adhere to the general policy , as heretofore , of accepting his words , whether in prose or in verse , at their face value . Byron was so aggressively sincere , and at ...
CHAPTER IV THE PRACTICAL POET I N discussing Byron as artist I shall adhere to the general policy , as heretofore , of accepting his words , whether in prose or in verse , at their face value . Byron was so aggressively sincere , and at ...
Page 83
Into such a tradition , oratory , as an effective instrument in Parliament , fitted better than the practice of poetry , which could have little practical effectiveness . But Byron's ambition to be an orator , fanned by a natural ...
Into such a tradition , oratory , as an effective instrument in Parliament , fitted better than the practice of poetry , which could have little practical effectiveness . But Byron's ambition to be an orator , fanned by a natural ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
accepted action admired affected appeal artistic Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious criticism direct Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid idea ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote