Byron: Romantic Paradox |
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Page 37
His sense of inferiority , on the other hand , was an indication of the social system on which the classic school ultimately depended , and intimated that Burns , while meeting its standards and continuing its traditions , was not ...
His sense of inferiority , on the other hand , was an indication of the social system on which the classic school ultimately depended , and intimated that Burns , while meeting its standards and continuing its traditions , was not ...
Page 38
CHAPTER III THE MAN OF SENSE T a THE change from the spirit of the eighteenth to that of the early nineteenth century is so gradual that it is impossible to draw accurate dividing lines . The socalled forerunners of romanticism were in ...
CHAPTER III THE MAN OF SENSE T a THE change from the spirit of the eighteenth to that of the early nineteenth century is so gradual that it is impossible to draw accurate dividing lines . The socalled forerunners of romanticism were in ...
Page 39
a manner , his masculine style , and his belligerent common sense -all aspects of a personality closely similar to one side of his own . He “ was happy to regard Mr. Gifford as a wonderful old gentleman , not indeed a born gentleman ...
a manner , his masculine style , and his belligerent common sense -all aspects of a personality closely similar to one side of his own . He “ was happy to regard Mr. Gifford as a wonderful old gentleman , not indeed a born gentleman ...
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accepted action admired affected appeal artistic Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious criticism direct Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid idea ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote
Bibliographic information
| Title | Byron: Romantic Paradox |
| Author | William Jonathan Calvert |
| Edition | reprint, reissue |
| Publisher | Russell & Russell, 1962 |
| Original from | the University of Michigan |
| Digitized | 5 Mar 2008 |
| Length | 235 pages |
| Export Citation | BiBTeX EndNote RefMan |