Byron: Romantic Paradox

accepted action admired affected appeal artistic Bards Blessington Byron cantos century character Childe Harold classic common complete composed composition conscious criticism direct Don Juan drama emotion English entirely epic experience expression fact feel final friends genius give hand humor Ibid idea ideal imagination immediate individual inspiration intention Italy lack largely later least less letters literary living look Lord Manfred manner merely mind models mood moral nature never object once opinion original passion past perhaps period personality plays poem poet poetic poetry Pope practical preface present principle production reading reason result Reviewers romantic Rules satire seems sense sentiment Shelley side sincerity sometimes speaks spirit stage style taste theory things thought tion tone tradition tragedies true truth turn verse whole writing written wrote