Blackwood's Magazine, Volume 7W. Blackwood., 1820 - England |
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Page 2
... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
... scene , which ends in " gin and peppermint . " Scene II . - Charley Grey and Mack . Ebony , the boot black . Ebony's advice . Guy Lester , the octoroon . Toomstone quiet . " Slaves , runaway niggers . " Ebony keeps his eyes open . Scene ...
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... Scene i Scene ii Scene iii Scene iv Act II Scene i Scene ii Scene iii Scene iv Act III Scene i Scene ii Act IV Scene i Scene ii Act V Scene i Scene ii Scene iii Scene iv The Epilogue Supplementary notes Textual analysis.
... Scene i Scene ii Scene iii Scene iv Act II Scene i Scene ii Scene iii Scene iv Act III Scene i Scene ii Act IV Scene i Scene ii Act V Scene i Scene ii Scene iii Scene iv The Epilogue Supplementary notes Textual analysis.
Page 5
S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
S S. Bodkin. CONTENTS . Page . A SCENE AT MANCHESTER A SCENE IN A THEATRE 7 10 A SCENE AT HIGHGATE . 13 A SCENE IN WESTMORELAND 16 A SCENE IN ST . MARTIN'S HALL . 18 A SCENE AT JOPPA A SCENE IN CLERKENWELL A SCENE AT THE CRYSTAL PALACE . A ...
Page 11
... Scenes in Volume One are suitable for a general audience . Scenes in Volume Two include themes and language that will challenge mature readers . Once a scene has been chosen , reading the entire play will help you to gain a deeper ...
... Scenes in Volume One are suitable for a general audience . Scenes in Volume Two include themes and language that will challenge mature readers . Once a scene has been chosen , reading the entire play will help you to gain a deeper ...
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... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
... SCENE III . Holyrood . SCENE IV . The Presence Chamber SCENE V. The Same . • March 9 , 1566 . • March 12 , 1566 . • March 20 , 1566 . ACT II SCENE I. Whittinghame • January 20 , 1567 . SCENE II . The Canongate , Edinburgh · February 10 ...
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Common terms and phrases
ancient auld beauty blessed blood bosom Caledonian Canal called Cameronian Capt Captain Chantrey character charm cornal Cornet dark daugh daughter death deep delight ditto earth Edinburgh Edinburgh Review English Ensign eyes fair father fear feel frae Francis Chantrey give Glasgow grace green Greenock Hakon hand hast hath head hear heard heart heaven honour HYGROMETER Jarl John Kark king of Norway King Yngurd lady Lady Isle late Lieut light living London look Lord Lord Byron maiden maun ment merchant mind mine-a Miss Mally nature never night o'er Olaf passion poem poet Pringle Proserpina purch readers round royal scene Scotland seems smile song soul spirit sweet thee thine thing thou thought thro tion truth vice voice Whigs whole William wind words young
Popular passages
Page 184 - Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice!
Page 419 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 311 - O'er untravelled seas to roam, — Yet lives the blood of England in our veins ! And shall we not proclaim That blood of honest fame, Which no tyranny can tame By its chains...
Page 419 - Farewell the tranquil mind ! farewell content ! Farewell the plumed troop and the big wars That make ambition virtue ! O, farewell, Farewell the neighing steed and the shrill trump, The spirit-stirring drum, the ear-piercing fife, <i The royal banner and all quality, Pride, pomp and circumstance of glorious war...
Page 161 - Or call up him that left half told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That own'd the virtuous ring and glass, And of the wondrous horse of brass, On which the Tartar king did ride...
Page 314 - As to the family, they always entered in. at the gate, and most generally lived in the kitchen. To have seen a numerous household assembled around the fire, one would have imagined that he was transported back to those happy days of primeval simplicity, which float before our imaginations like golden visions. The fireplaces were of a truly patriarchal magnitude...
Page 284 - THE FANCY: A Selection from the Poetical Remains of the late Peter Corcoran, of Gray's Inn, student at law. With a brief Memoir of his life.
Page 153 - The cloud-capt towers, the gorgeous palaces, The solemn temples, the great globe itself; * Yea, all which it inherit, shall dissolve, And, like the baseless fabric of a vision, Leave not a wreck behind.
Page 154 - And the green turf lie lightly on thy breast : There shall the morn her earliest tears bestow, There the first roses of the year shall blow ; While angels with their silver wings o'ershade The ground, now sacred by thy reliques made.
Page 314 - ... worn out by the very precautions taken for its preservation. The whole house was constantly in a state of inundation, under the discipline of mops and brooms and scrubbingbrushes; and the good housewives of those days were a kind of amphibious animal, delighting exceedingly to be dabbling in water, — insomuch that an historian of the day gravely tells us, that many of his townswomen grew to have webbed fingers like unto a duck...