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the eye. It would be however an entire mistake to suppose that Aristotle viewed the act of vision as dependent on the brain or had any knowledge of the optic nerves. It is the heart and not the brain which Aristotle regards as the ultimate organ of vision, and he would seem to have formed no conception of the functions which the optic nerves discharge'.

Aristotle's analysis of the single senses may be readily allowed to be possessed of more than merely antiquarian interest. Compared with the account of sense-perception given in the Timaeus of Plato, Aristotle's results mark a real advance in physiological observation. Plato had indeed (Timaeus 67 c) grasped to some extent the dependence of sound on oscillations of the air, but instead of shewing how the physiological structure receives and retains those oscillations he makes hearing simply a “vibration which begins in the head and ends in the liver.” To Plato, in fact, the senses are, as Prof. Jowett says, “not instruments, but rather passages through which external objects strike upon the mind. The eye is the aperture through which the stream of vision passes, the ear is the aperture through which the vibrations of sound pass. But that the complex struc

1 The chief passages bearing on this subject are as follows: De Gen. An. 11. 6, 74485, ο δ' οφθαλμός σώμα...υγρών και ψυχρόν και ου προϋπάρχον εν τω τόπω...αλλ' από της περί τον εγκέφαλον υγρότητος αποκρίνεται το καθαρώτατον διά των πόρων οι φαίνονται φέροντες απ' αυτών προς την μήνιγγα την περί τον εγκέφαλον. . De Gen. An. II. 6, 743b35, αίτιον δ' ότι το των οφθαλμών αισθητήριον εστί μέν ώσπερ και τα άλλα αισθητήρια επί πόρων. Ηist. Αn. I. II, 492021, περαίνουσι δε και οι οφθαλμοί εις τον εγκέφαλος και κείται επί φλεβίου εκάτερος. Ηist. Αn. I. 16, 4958II, φέρoυσι δ' εκ του οφθαλμού τρείς πόροι εις τον εγκέφαλος, ο μεν μέγιστος και ο μέσος εις την παρεγκεφαλίδα, ο δ' ελάχιστος εις αυτόν τον εγκέφαλος. De Sensu, c. 2, 438b12, ήδη γάρ τισι πληγείσιν εν πολέμω παρά τον κρόταφον ούτως ώστε εκτμηθήναι τους πόρους του όμματος έδοξε γενέσθαι σκότος, ώσπερ λύχνου αποσβεσθέντος, δια το οίον λαμπτηρά τινα αποτμηθήναι diapavès kai triv Kalovuévny kópnu. Sprengel, in his History of Medicine, tried to identify the Tópol of Aristotle with the nerves, and of the three mópol mentioned the first might be thought to represent the ramus ophthalmicus, the second the optic, and the third the oculo-motor; but, as Bona Meyer says (p. 432), Aristotle had at least no idea of the function of nerves in the hópoi he mentions. And similarly Dr Ogle in his note on Parts of Animals, 11. 10, thinks that in Gen. An. 11. 6, Aristotle is speaking of optic nerves, and so also in De Sensu, C. 2, but considers that as Aristotle speaks also of tópou in relation to other sense-organs, it is unlikely he can have understood the office of the nerves in general.

ture of the eye or the ear is in any sense the cause of sight and hearing he seems hardly to be aware (Dialogues of Plato 1II. p. 581). In part no doubt the same defect appears in Aristotle. But the descriptions of the eye and ear in Aristotle's writings shew an amount of accurate observation which we look for in vain in Plato.

Defective however as Plato is on the analytic and physiological side, there is another respect in which he far surpasses Aristotle. The organs of sense, Plato is particular to note, are not as perceptive merely mechanical and disconnected members of our body. “No one,” he remarks in the Theaetetus, “can suppose that we are Trojan horses, in whom are perched several unconnected senses, not meeting in some one nature, of which they are the instruments, whether you term this soul or not, with which through these we perceive objects of sense” (Jowett's Translation) But of such a reference to soul or mind there is directly but little mention in Aristotle's explanation. The description of the sensitive capacities as themselves a soul, the identification of the different aioOntúpia with a so-called yux) aio Ontikń would almost seem to have blinded Aristotle to the insufficiency of mere physical processes to explain a psychological result. His account therefore of the special senses leaves untouched a number of problems which the perceptive processes immediately involve. It is different when our philosopher leaves the physical aspect of the senses, and proceeds to discuss the mode in which the perceptive organs act in concert as a cognitive whole. His

results are then of no mere antiquarian interest: the problems · which he investigates are those with which we still are occupied.

How do our sensations of qualities—white, sweet, &c.-give us knowledge of concrete things? How do we distinguish between the reports of one sensation and those of another? How is it that our sensations sometimes deceive us ? how does this complexity of organs, some of which are even double, unite itself into

1 Theatet. p. 184 D, δεινόν γάρ που εί πολλαί τινες εν ημίν, ώσπερ εν δουρείοις ίπποις, αισθήσεις εγκάθηνται, αλλά μη εις μίαν τινά ιδέαν, είτε ψυχήν είτε και τι δεί καλεϊν, πάντα ταύτα ξυντείνει, ή διά τούτων οίον οργάνων αισθανόμεθα όσα αισθητά.

one single perception ? and what is the character of that mysterious consciousness which accompanies us in our perceptive acts ? Such are some of the questions which Aristotle now proceeds to investigate. He solves them, through the doctrine of a common or central sense (κοινή αίσθησις) in which our separate sensations are collected, arranged, and classified.

IX. COMMON OR CENTRAL SENSE.

The particular senses-sight, smell, hearing and the restare all, we have already seen, restricted to some individual quality (idlov aioOntóv) which can only be perceived by the sense adapted to it. Thus sight takes account only of the colour of objects, smell only of their odour, while touch restricts itself to the hardness or softness, the heat or coldness of external objects. But these single senses as such never really constitute the act of sense-perception. Such perception is not merely a matter of the outward organ: perception is a movement of the mind through the body: and it is only by reference to this unity of all the senses in a common mental faculty that sense-perception can take place. Without relation to this superior faculty—this kúplov aioOntýplovno one of the single senses would be fitted for perception. The need of such a central sense-of a perceptive faculty which stands to each one of the separate senses as the mind in general stands to each one of its four faculties—is apparent from the mere duplicity which marks the organs of sensation. For just as the body is throughout twofold, so also each of the senses, if we except the touch and taste, appears as a double faculty', and yet notwithstanding our two eyes, two ears, two nostrils, we still perceive but one colour, one sound, one odour.

This central sense, of which the general nature has been thus far sketched, plays two main functions in relation to the work of

1 De Part. An. 656632 ; 669618.

I.

sense-perception. On the one hand, it is required for the distinction and the comparison of the separate communications of the single senses : on the other hand, it is the means by which a consciousness of sensation accompanies the work of sense-perception'.

The distinction of our separate sensations. Each single sense, we have already seen, perceives nothing but one single quality or group of qualities. How then is it that we distinguish between the qualities, whether they belong to one and the same sense or be communicated by different senses? The second case constitutes of course the more perplexing question of the two, and is therefore the form in which the problem is generally stated by Aristotle? What, he asks, is the faculty which distinguishes between white and sweet? The sense of taste communicates to us the feeling of a flavour which is sweet, the sense of eyesight reveals to us the quality of white. But the sense of taste knows nothing of the sensations of sight, the sense which perceives colour knows nothing of the character of favour. Yet none the less the distinction is there : we not only distinguish white from black, sweet from bitter, but we also separate between the sensation of white and the simultaneous sensation of sweet. Here then two things require to be at once united and disunited, connected and disconnected : they must be subjected to an act of comparison and judged different in consequence of this comparison.

A discrimination of this kind cannot be made by two separate faculties: it is to one single faculty that the two separate

1

11. 2. 10, 426b12, έπει δε και το λευκόν και το γλυκό και έκαστον των αισθητών προς έκαστον κρίνομεν, τίνι και αισθανόμεθα ότι διαφέρει και ανάγκη δη αισθήσει αισθητά gép éotiv. Cp. III. 7. 4, 431420; De Sensu, c. 7. De Somno, 2, 4558 15, oti δε τις και κοινή δύναμις ακολουθούσα πάσαις, ή και ότι ορα και ακούει [omit και with E] αισθάνεται ου γαρ δή τη γε όψει ορα ότι ορα. και κρίνει δή και δύναται κρίνειν ότι έτερα τα γλυκέα των λευκών, ούτε γεύσει ούτε όψει ούτ' αμφούν, αλλά τινι κοινή μορία των αισθητηρίων απάντων. .

111. 7, 431424, τί γαρ διαφέρει το απορείς πως τα μη ομογενή κρίνει η ταναντία οίον λευκόν και μέλαν; ;

lig

sensations must be transmitted in order that they may be compared and separated'. The case therefore is well compared by Aristotle to what would happen in the case of two opinions between which it was necessary to distinguish. “Were I to perceive one thing, you to perceive another, a third person would be needed to pass judgment on the two?.” There is required then some one function of the mind by means of which it gains perception of all objects—some common central organ of perception in which the separate communications of the senses are combined. But how, asks Aristotle, can this central faculty manifest such contrary action as it would seem necessarily to involve? It must take cognizance of two separate sensations and yet meanwhile it must preserve that unity which can alone compare two different sensations : it must within one and the same moment of time present before itself two or more reports of sense". The same thing cannot, it might be thought, move at one and the same time in two opposite directions as undivided and within an undivided space of time. But there is a distinction by the help of which the difficulty may be met. In place, in time and in number, the faculty in question is, we may say, one and indivisible: but in the nature of its action, in its use and application (Tø eivai) it is different“. Physical analogies may help us further to comprehend this double and apparently contrary action on the part of central sense. We may compare it to the point, taken in its widest sense and understood of either time or space®. Such a point is at once one and two:

1 426017, ούτε δή κεχωρισμένους ενδέχεται κρίνεις ότι έτερον το γλυκό του λευκού, αλλά δεί ενί τινι άμφω δηλα είναι. .

2 426b19, ούτω μεν γαρ κάνει του μεν εγώ του δε συ αίσθοιο, δήλον αν είη ότι έτερα αλλήλων. δεί δε το εν λέγειν ότι έτερον.

3 De Sensta, 7, 44948, ανάγκη άρα έν τι είναι της ψυχής η άπαντα αισθάνεται.

426b22, ότι μεν ούν ούχ οίον τε κεχωρισμένους κρίνειν τα κεχωρισμένα, δηλον...... αλλά μην αδύνατον άμα τας εναντίας κινήσεις κινείσθαι το αυτό η αδιαίρετον και εν αδιαιρέτω χρόνω. .

5 42784, τω είναι μεν γαρ διαιρετόν, τόπω δε και αριθμό αδιαίρετον. De Sensa, 7, 449119, αισθάνοιτ' άν άμα τω αυτο και ενί, λόγω δ' ού τω αυτώ.

Dr An. ΙΙ. 2, 427410, αλλ' ώσπερ ήν καλούσί τινες στιγμήν η μία και η διο,

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