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much in music, have an agreement with the glittering of light; as the moon-beams playing upon a wave. Again, the falling from a discord to a concord, which maketh great sweetness in music, hath an agreement with the affections, which are reintegrated to the better, after some dislikes; it agreeth also with the taste, which is soon glutted with that which is sweet alone. The sliding from the close or cadence, hath an agreement with the figure in rhetoric, which they call præter expectatum; for there is a pleasure even in being deceived. The reports, and fuges, have an agreement with the figures in rhetoric, of repetition and traduction. triplas, and changing of times, have an agreement with the changes of motions; as when galliard time, and measure time, are in the medley of one dance. 114. It hath been anciently held and observed, that the sense of hearing, and the kinds of music, have most operation upon manners; as, to encourage men, and make them warlike; to make them soft and effeminate; to make them grave; to make them light; to make them gentle and inclined to pity, &c, The cause is, for that the sense of hearing striketh the spirits more immediately than the other senses; and more incorporeally than the smelling; for the sight, taste, and feeling, have their organs not of so present and immediate access to the spirits, as the hearing hath. And as for the smelling, which indeed worketh also immediately upon the spirit, and is forcible while the object remaineth, it is with a communication of the breath or vapour of the object odorate; but harmony entering easily, and mingling not at all, and coming with a manifest motion, doth by custom of often affecting the spirits, and putting them into one kind of posture, alter not a little the nature of the spirits, even when the object is removed. And therefore we see, that tunes and airs, even in their own nature, have in themselves some affinity with the affections; as there be merry tunes, doleful tunes, solemn tunes; tunes inclining men's minds to pity; warlike tunes, &c. So as it is no marvel if they alter the spirits, considering that tunes have a predisposition to the motion of the spirits in themselves. But yet it hath been noted, that though this variety of tunes doth dispose the spirits to variety of passions, conform unto them, yet generally music feedeth that disposition of the spirits, which it findeth. We see also, that several airs and tunes do please several nations and persons, according to the sympathy they have with their spirits. Experiments in consort touching sounds; and first

touching the nullity and entity of sounds. Perspective hath been with some diligence inquired; and so hath the nature of sounds, in some sort, as far as concerneth music: but the nature of sounds in general hath been superficially observed. It is one of the subtilest pieces of nature. And besides, I practise, as I do advise; which is, after long inquiry of things immersed in matter, to interpose some subject which is immateriate, or less materiate; such as this of sounds; to the end, that the intellect may be rectified, and become not partial.

115. It is first to be considered, what great mo

tions there are in nature, which pass without sound or noise. The heavens turn about in a most rapid motion, without noise to us perceived; though in some dreams they have been said to make an excellent music. So the motions of the comets, and fiery meteors, as stella cadens, &c. yield no noise. And if it be thought, that it is the greatness of distance from us, whereby the sound cannot be heard; we see that lightnings and coruscations, which are near at hand, yield no sound neither: and yet in all these, there is a percussion and division of the air. The winds in the upper region, which move the clouds above, which we call the rack, and are not perceived below, pass without noise. The lower winds in a plain, except they be strong, make no noise; but amongst trees, the noise of such winds will be perceived. And the winds, generally, when they make a noise, do ever make it unequally, rising and falling, and sometimes, when they are vehement, trembling at the height of their blast. Rain or hail falling, though vehemently, yieldeth no noise in passing through the air, till it fall upon the ground, water, houses, or the like. Water in a river, though a swift stream, is not heard in the channel, but runneth in silence, if it be of any depth; but the very stream upon shallows of gravel, or pebble, will be heard. And waters, when they beat upon the shore, or are straitened, as in the falls of bridges, or are dashed against themselves, by winds, give a roaring noise. Any piece of timber, or hard body, being thrust forwards by another body contiguous, without knocking, giveth no noise. And so bodies in weighing one upon another, though the upper body press the lower body down, make no noise. So the motion in the minute parts of any solid body, which is the principal cause of violent motion, though unobserved, passeth without sound; for that sound that is heard sometimes, is produced only by the breaking of the air; and not by the impulsion of the parts. So it is manifest, that where the anterior body giveth way, as fast as the posterior cometh on, it maketh no noise, be the motion never so great or swift.

116. Air open, and at large, maketh no noise, except it be sharply percussed; as in the sound of a string, where air is percussed by a hard and stiff body, and with a sharp loose: for if the string be not strained, it maketh no noise. But where the air is pent and straitened, there breath or other blowing, which carry but a gentle percussion, suffice to create sound; as in pipes and wind-instruments. But then you must note, that in recorders, which go with a gentle breath, the concave of the pipe, were it not for the fipple that straiteneth the air, much more than the simple concave, would yield no sound. For as for other wind-instruments, they require a forcible breath; as trumpets, cornets, hunters' horns, &c. which appeareth by the blown cheeks of him that windeth them. Organs also are blown with a strong wind by the bellows. And note again, that some kind of wind-instruments are blown at a small hole in the side, which straiteneth the breath at the first entrance; the rather, in respect of their traverse and stop above the hole, which performeth

So as trial must be made by taking some small concave of metal, no more than you mean to fill with powder, and laying the bullet in the mouth of it, half out in the open air.

the fipple's part; as it is seen in flutes and fifes, | air.
which will not give sound by a blast at the end, as
recorders, &c. do. Likewise in all whistling, you
contract the mouth; and to make it more sharp,
men sometimes use their finger. But in open air,
if you throw a stone or a dart, they give no sound;
no more do bullets, except they happen to be a little
hollowed in the casting; which hollowness penneth
the air: nor yet arrows, except they be ruffled in
their feathers, which likewise penneth the air. As
for small whistles or shepherds' oaten pipes, they
give a sound because of their extreme slenderness,
whereby the air is more pent than in a wider pipe.
Again, the voices of men and living creatures pass
through the throat, which penneth the breath. As
for the Jews-harp, it is a sharp percussion; and,
besides, hath the advantage of penning the air in the

117. Solid bodies, if they be very softly percussed,
give no sound; as when a man treadeth very softly
upon boards.
So chests or doors in fair weather,
when they open easily, give no sound. And cart-
wheels squeak not when they are liquored.

118. The flame of tapers or candles, though it be a swift motion and breaketh the air, yet passeth without sound. Air in ovens, though, no doubt, it doth, as it were, boil and dilate itself, and is repercussed; yet it is without noise.

119. Flame percussed by air giveth a noise: as in blowing of the fire by bellows; greater than if the bellows should blow upon the air itself. And so likewise flame percussing the air strongly, as when flame suddenly taketh and openeth, giveth a noise; so great flames, while the one impelleth the other, give a bellowing sound.

120. There is a conceit runneth abroad, that


121. I heard it affirmed by a man that was a great dealer in secrets, but he was but vain, that there was a conspiracy, which himself hindered, to have killed queen Mary, sister to queen Elizabeth, by a burning-glass, when she walked in Saint James's park, from the leads of the house. thus much, no doubt, is true; that if burning-glasses could be brought to a great strength, as they talk generally of burning-glasses that are able to burn a navy, the percussion of the air alone by such a burning-glass, would make no noise; no more than is found in coruscations and lightnings without thunders.

122. I suppose that impression of the air with sounds asketh a time to be conveyed to the sense, as well as the impressing of species visible; or else they will not be heard. And therefore, as the bullet moveth so swift that it is invisible; so the same swiftness of motion maketh it inaudible for we see, that the apprehension of the eye is quicker than that of the ear.

123. All eruptions of air, though small and slight, give an entity of sound, which we call crackling, puffing, spitting, &c. as in bay-salt, and bay-leaves, cast into the fire; so in chestnuts, when they leap forth of the ashes; so in green wood laid upon the fire, especially roots; so in candles, that spit flame if they be wet; so in rasping, sneezing, &c.; so in a rose leaf gathered together into the fashion of a purse, and broken upon the forehead, or back of the hand, as children use.

there should be a white powder, which will dis- Experiments in consort touching production, conser

charge a piece without noise; which is a dangerous experiment if it should be true: for it may cause secret murders. But it seemeth to me impossible; for, if the air pent be driven forth and strike the air open, it will certainly make a noise. As for the white powder, if any such thing be, that may extinguish or dead the noise, it is like to be a mixture of petre and sulphur, without coal. For petre alone will not take fire. And if any man think, that the sound may be extinguished or deaded by discharging the pent air, before it cometh to the mouth of the piece and to the open air, that is not probable; for it will make more divided sounds: as if you should make a cross-barrel hollow through the barrel of a piece, it may be it would give several sounds both at the nose and at the sides. But I conceive, that if it were possible to bring to pass, that there should be no air pent at the mouth of the piece, the bullet might fly with small or no noise. For first it is certain, there is no noise in the percussion of the flame upon the bullet. Next the bullet, in piercing through the air, maketh no noise; as hath been said. And then, if there be no pent air that striketh upon open air, there is no cause of noise; and yet the flying of the bullet will not be stayed. For that motion, as hath been oft said, is in the parts of the bullet, and not in the

vation, and delation of sounds; and the office of the air therein.

124. The cause given of sound, that it should be an elision of the air, whereby, if they mean any thing, they mean a cutting or dividing, or else an attenuating of the air, is but a term of ignorance; and the notion is but a catch of the wit upon a few instances; as the manner is in the philosophy received.

And it is common with men, that if they have gotten a pretty expression by a word of art, that expression goeth current; though it be empty of matter. This conceit of elision appeareth most manifestly to be false, in that the sound of a bell, string, or the like, continueth melting some time after the percussion; but ceaseth straightways, if the bell or string be touched and stayed: whereas, if it were the elision of the air that made the sound,^ it could not be that the touch of the bell or string should extinguish so suddenly that motion caused by the elision of the air. This appeareth yet more manifestly by chiming with a hammer upon the outside of a bell: for the sound will be according to the inward concave of the bell: whereas the elision or attenuation of the air cannot be but only between the hammer and the outside of the bell. So again, if it were an elision, a broad hammer and a bodkin, struck upon metal, would give a diverse tone, as well

as a diverse loudness: but they do not so; for though the sound of the one be louder, and of the other softer, yet the tone is the same. Besides, in echoes, whereof some are as loud as the original voice, there is no new elision, but a repercussion only. But that which convinceth it most of all is, that sounds are generated where there is no air at all. But these and the like conceits, when men have cleared their understanding by the light of experience, will scatter and break up like a mist, 125. It is certain, that sound is not produced at the first, but with some local motion of the air, or flame, or some other medium; nor yet without some resistance, either in the air or the body percussed. For if there be a mere yielding or cession, it produceth no sound; as hath been said. And therein sounds differ from light and colours, which pass through the air, or other bodies, without any local motion of the air; either at the first, or after. But you must attentively distinguish between the local motion of the air; which is but vehiculum causæ, a carrier of the sounds, and the sounds themselves, conveyed in the air. For as to the former, we see manifestly, that no sound is produced, no not by air itself against other air, as in organs, &c. but with a perceptible blast of the air; and with some resistance of the air strucken. For even all speech, which is one of the gentlest motions of air, is with expulsion of a little breath. And all pipes have a blast, as well as a sound. We see also manifestly, that sounds are carried with wind: and therefore sounds will be heard farther with the wind, than against the wind; and likewise do rise and fall with the intension or remission of the wind. But for the impression of the sound, it is quite another thing, and is utterly without any local motion of the air, perceptible; and in that resembleth the species visible for after a man hath lured, or a bell is rung, we cannot discern any perceptible motion at all in the air along as the sound goeth; but only at the first. Neither doth the wind, as far as it carrieth a voice, with the motion thereof, confound any of the delicate and articulate figurations of the air, in variety of words. And if a man speak a good loudness against the flame of a candle, it will not make it tremble much; though most when those letters are pronounced which contract the mouth; as F, S, V, and some others. But gentle breathing, or blowing without speaking, will move the candle far more. And it is the more probable, that sound is without any local motion of the air, because as it differeth from the sight, in that it needeth a local motion of the air at first; so it paralleleth in so many other things with the sight, and radiation of things visible; which, without all question, induce no local motion in the air, as hath been said.

126. Nevertheless it is true, that upon the noise of thunder, and great ordnance, glass windows will shake; and fishes are thought to be frayed with the motion caused by noise upon the water. But these effects are from the local motion of the air, which is a concomitant of the sound, as hath been said, and not from the sound.

received, that extreme applauses, and shouting of people assembled in great multitudes, have so rarified and broken the air, that birds flying over have fallen down, the air being not able to support them. And it is believed by some, that great ringing of bells in populous cities hath chased away thunder; and also dissipated pestilent air: all which may be also from the concussion of the air, and not from the sound.

128. A very great sound, near hand, hath strucken many deaf; and at the instant they have found, as it were, the breaking of a skin or parchment in their ear: and myself standing near one that lured loud and shrill, had suddenly an offence, as if somewhat had broken or been dislocated in my ear; and immediately after a loud ringing, not an ordinary singing or hissing, but far louder and differing, so as I feared some deafness. But after some half quarter of an hour it vanished. This effect may be truly referred unto the sound: for, as is commonly received, an over-potent object doth destroy the sense; and spiritual species, both visible and audible, will work upon the sensories, though they move not any other body.

129. In dilation of sounds, the enclosure of them preserveth them, and causeth them to be heard farther.

And we find in rolls of parchment or trunks, the mouth being laid to the one end of the roll of parchment or trunk, and the ear to the other, the sound is heard much farther than in the open air. The cause is, for that the sound spendeth, and is dissipated in the open air; but in such concave it is conserved and contracted. So also in a piece of ordnance, if you speak in the touch-hole, and another lay his ear to the mouth of the piece, the sound passeth and is far better heard than in the open air.

130. It is further to be considered, how it proveth and worketh when the sound is not enclosed all the length of its way, but passeth partly through open air; as where you speak some distance from a trunk; or where the ear is some distance from the trunk at the other end; or where both mouth and ear are distant from the trunk. And it is tried, that in a long trunk of some eight or ten foot, the sound is holpen, though both the mouth and the ear be a handful or more from the ends of the trunk; and somewhat more holpen, when the ear of the hearer is near, than when the mouth of the speaker. And it is certain, that the voice is better heard in a chamber from abroad, than abroad from within the chamber.

131. As the enclosure that is round about and entire, preserveth the sound; so doth a semi-concave, though in a less degree. And therefore, if you divide a trunk or a cane into two, and one speak at the one end, and you lay your ear at the other, it will carry the voice farther, than in the air at large. Nay farther, if it be not a full semi-con- V cave, but if you do the like upon the mast of a ship, or a long pole, or a piece of ordnance, though one speak upon the surface of the ordnance, and not at any of the bores, the voice will be heard farther

127. It hath been anciently reported, and is still than in the air at large.

132. It would be tried, how, and with what pro- | portion of disadvantage the voice will be carried in a horn, which is a line arched; or in a trumpet, which is a line retorted; or in some pipe that were sinuous.

133. It is certain, howsoever it cross the received opinion, that sounds may be created without air, though air be the most favourable deferent of sounds. Take a vessel of water, and knap a pair of tongs some depth within the water, and you shall hear the sound of the tongs well, and not much diminished; and yet there is no air at all present.

134. Take one vessel of silver, and another of wood, and fill each of them full of water, and then knap the tongs together, as before, about a handful from the bottom, and you shall find the sound much more resounding from the vessel of silver, than from that of wood: and yet if there be no water in the vessel, so that you knap the tongs in the air, you shall find no difference between the silver and the wooden vessel. Whereby, beside the main point of creating sound without air, you may collect two things: the one, that the sound communicateth with the bottom of the vessel; the other, that such a communication passeth far better through water than air.

135. Strike any hard bodies together in the midst of a flame; and you shall hear the sound with little difference from the sound in the air.

136. The pneumatical part which is in all tangible bodies, and hath some affinity with the air, performeth, in some degree, the parts of the air; as when you knock upon an empty barrel, the sound is in part created by the air on the outside, and in part by the air in the inside: for the sound will be greater or lesser, as the barrel is more empty or more full; but yet the sound participateth also with the spirit in the wood through which it passeth, from the outside to the inside: and so it cometh to pass in the chiming of bells on the outside; where also the sound passeth to the inside and a number of other like instances, whereof we shall speak more when we handle the communication of sounds.

137. It were extreme grossness to think, as we have partly touched before, that the sound in strings is made or produced between the hand and the string, or the quill and the string, or the bow and the string, for those are but vehicula motus, passages to the creation of the sound, the sound being produced between the string and the air: and that not by any impulsion of the air from the first motion of the string; but by the return or result of the string, which was strained by the touch, to his former place: which motion of result is quick and sharp; whereas the first motion is soft and dull. So the bow tortureth the string continually, and thereby holdeth it in a continual trepidation.

itself in round, and so spendeth itself; but if the sound, which would scatter in open air, be made to go all into a canal, it must needs give greater force to the sound. And so you may note, that enclosures do not only preserve sound, but also increase and sharpen it.

139. A hunter's horn being greater at one end than at the other, doth increase the sound more than if the horn were all of an equal bore. The cause is, for that the air and sound being first contracted at the lesser end, and afterwards having more room to spread at the greater end, do dilate themselves; and in coming out strike more air; whereby the sound is the greater and baser. And even hunters' horns, which are sometimes made straight, and not oblique, are ever greater at the lower end. It would be tried also in pipes, being made far larger at the lower end; or being made with a belly towards the lower end, and then issuing into a straight concave again.

140. There is in St. James's fields a conduit of brick, unto which joineth a low vault; and at the end of that a round house of stone: and in the brick conduit there is a window; and in the round house a slit or rift of some little breadth: if you cry out in the rift, it will make a fearful roaring at the window. The cause is the same with the former; for that all concaves, that proceed from more narrow to more broad, do amplify the sound at the coming out.

141. Hawks' bells, that have holes in the sides, give a greater ring, than if the pellet did strike upon brass in the open air. The cause is the same with the first instance of the trunk; namely, for that the sound enclosed with the sides of the bell cometh forth at the holes unspent and more strong.

142. In drums, the closeness round about, that preserveth the sound from dispersing, maketh the noise come out at the drum-hole far more loud and strong than if you should strike upon the like skin extended in the open air. The cause is the same with the two precedent.

143. Sounds are better heard, and farther off, in an evening or in the night, than at the noon or in the day. The cause is, for that in the day, when the air is more thin, no doubt, the sound pierceth better; but when the air is more thick, as in the night, the sound spendeth and spreadeth abroad less : and so it is a degree of enclosure. As for the night, it is true also that the general silence helpeth.

144. There be two kinds of reflexions of sounds; the one at distance, which is the echo; wherein the original is heard distinctly, and the reflection also distinctly; of which we shall speak hereafter: the other in concurrence; when the sound reflecting, the reflexion being near at hand, returneth immediately upon the original, and so iterateth it not, but amplifieth it. Therefore we see, that Experiments in consort touching the magnitude and music upon the water soundeth more; and so like

exility and damps of sounds.

138. Take a trunk, and let one whistle at the one end, and hold your ear at the other, and you shall find the sound strike so sharp as you can scarce endure it. The cause is, for that sound diffuseth

wise music is better in chambers wainscotted than hanged.

145. The strings of a lute, or viol, or virginals, do give a far greater sound, by reason of the knot, and board, and concave underneath, than if there

were nothing but only the flat of a board, without that hollow and knot, to let in the upper air into the lower. The cause is the communication of the upper air with the lower, and penning of both from expense or dispersing.

146. An Irish harp hath open air on both sides of the strings: and it hath the concave or belly not along the strings, but at the end of the strings. It maketh a more resounding sound than a bandora, orpharion, or cittern, which have likewise wire-strings. I judge the cause to be, for that open air on both sides helpeth, so that there be a concave; which is therefore best placed at the end.

147. In a virginal, when the lid is down, it maketh a more exile sound than when the lid is open. The cause is, for that all shutting in of air, where there is no competent vent, dampeth the sound: which maintaineth likewise the former instance; for the belly of the lute or viol doth pen the air somewhat.

148. There is a church at Gloucester, and, as I have heard, the like is in some other places, where if you speak against a wall softly, another shall hear your voice better a good way off, than near at hand. Inquire more particularly of the frame of that place. I suppose there is some vault, or hollow, or aisle, behind the wall, and some passage to it towards the farther end of that wall against which you speak; so as the voice of him that speaketh slideth along the wall, and then entereth at some passage, and communicateth with the air of the hollow; for it is preserved somewhat by the plain wall; but that is too weak to give a sound audible, till it hath communicated with the back air.

149. Strike upon a bow-string, and lay the horn of the bow near your ear, and it will increase the sound, and make a degree of a tone. The cause is, for that the sensory, by reason of the close holding, is percussed before the air disperseth. The like is, if you hold the horn betwixt your teeth: but that is a plain delation of the sound from the teeth to the instrument of hearing; for there is a great intercourse between those two parts; as appeareth by this, that a harsh grating tune setteth the teeth on edge. The like falleth out, if the horn of the bow be put upon the temples; but that is but the slide of the sound from thence to the ear.

150. If you take a rod of iron or brass, and hold the one end to your ear, and strike upon the other, it maketh a far greater sound than the like stroke upon the rod, made not so contiguous to the ear. By which, and by some other instances that have been partly touched, it should appear, that sounds do not only slide upon the surface of a smooth body, but do also communicate with the spirits, that are in the pores of the body.

151. I remember in Trinity College, in Cambridge, there was an upper chamber, which, being thought weak in the roof of it, was supported by a pillar of iron of the bigness of one's arm in the midst of the chamber; which if you had struck, it would make a little flat noise in the room where it was struck, but it would make a great bomb in the chamber beneath.

152. The sound which is made by buckets in a well, when they touch upon the water, or when they strike upon the side of the well, or when two buckets dash the one against the other, these sounds are deeper and fuller than if the like percussion were made in the open air. The cause is the penning and enclosure of the air in the concave of the well. 153. Barrels placed in a room under the floor of a chamber, make all noises in the same chamber more full and resounding.

So that there be five ways, in general, of majoration of sounds: enclosure simple; enclosure with dilatation; communication; reflexion concurrent; and approach to the sensory.

154. For exility of the voice or other sounds; it is certain that the voice doth pass through solid and hard bodies if they be not too thick; and through water, which is likewise a very close body, and such a one as letteth not in air. But then the voice, or other sound, is reduced by such passage to a great weakness or exility. If therefore you stop the holes of a hawk's bell, it will make no ring, but a flat noise or rattle. And so doth aëtites or eagle-stone, which hath a little stone within it.

155. And as for water, it is a certain trial: let a man go into a bath, and take a pail, and turn the bottom upward, and carry the mouth of it, even, down to the level of the water, and so press it down under the water some handful and a half, still keeping it even, that it may not tilt on either side, and so the air get out: then let him that is in the bath dive with his head so far under water, as he may put his head into the pail, and there will come as much air bubbling forth, as will make room for his head. Then let him speak, and any that shall stand without shall hear his voice plainly; but yet made extreme sharp and exile, like the voice of puppets: but yet the articulate sounds of the words will not be confounded. Note, that it may be much more handsomely done, if the pail be put over the man's head above water, and then he cower down, and the pail be pressed down with him. Note, that a man must kneel or sit, that he may be lower than the water. A man would think that the Sicilian poet had knowledge of this experiment; for he saith, that Hercules's page, Hylas, went with a water pot to fill it at a pleasant fountain that was near the shore, and that the nymphs of the fountain fell in love with the boy, and pulled him under water, keeping him alive; and that Hercules missing his page, called him by his name aloud, that all the shore rang of it; and that Hylas from within the water answered his master, but, that which is to the present purpose, with so small and exile a voice, as Hercules thought he had been three miles off, when the fountain, indeed, was fast by.

156. In lutes and instruments of strings, if you stop a string high, whereby it hath less scope to tremble, the sound is more treble, but yet more dead.

157. Take two saucers, and strike the edge of the one against the bottom of the other, within a pail of water; and you shall find, that as you put the saucers lower and lower, the sound groweth more flat; even while part of the saucer is above the

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