Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page 1
... act description of it , I diftinguish into three parts : I. The first of them [ from 1. 1 to 89 ] is prepara- tory to the main fubject of the epiftle , containing fome general rules and reflexions on poetry , but principally with an eye ...
... act description of it , I diftinguish into three parts : I. The first of them [ from 1. 1 to 89 ] is prepara- tory to the main fubject of the epiftle , containing fome general rules and reflexions on poetry , but principally with an eye ...
Page 17
... acts , and of perfons , to be in- troduced on the stage at the fame time . And , 3 . laftly , the perfona dramatis ... acts ; and , 2. To connect the acts with VOL . I. C fongs , Juftitiam , legefque , et apertis otia portis : Ille ARS ...
... acts , and of perfons , to be in- troduced on the stage at the fame time . And , 3 . laftly , the perfona dramatis ... acts ; and , 2. To connect the acts with VOL . I. C fongs , Juftitiam , legefque , et apertis otia portis : Ille ARS ...
Page 101
... act of the mind is prevented , or fufpended at least for a time , when the fufferings are real , and concern those for whom we are most interested . But the fictions of the stage do not prefs upon us so closely . Putting all these ...
... act of the mind is prevented , or fufpended at least for a time , when the fufferings are real , and concern those for whom we are most interested . But the fictions of the stage do not prefs upon us so closely . Putting all these ...
Page 103
... And hence , in particular , the third and fourth acts expose to our view all the horrors of forcery ( and those too imaged to an extravagance ) which Euripides , Η 4 Euripides , with fo much better judgment , thought fit ART OF POETRY .
... And hence , in particular , the third and fourth acts expose to our view all the horrors of forcery ( and those too imaged to an extravagance ) which Euripides , Η 4 Euripides , with fo much better judgment , thought fit ART OF POETRY .
Page 107
... labours , as much as poffible , to clear himself from the imputation of the act . She takes it wholly on herself , but , regarding it rather as her fate , fate , than her fault , comforts herself in reflec- ART OF POETRY . 107.
... labours , as much as poffible , to clear himself from the imputation of the act . She takes it wholly on herself , but , regarding it rather as her fate , fate , than her fault , comforts herself in reflec- ART OF POETRY . 107.
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againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ