Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page ix
... fame for cri- tical learning , had been before him in this at- tempt . Yet he did not find himself prevented by their labours ; in which , befides innumerable VOL . I. leffer A leffer faults , he , more especially , observed two.
... fame for cri- tical learning , had been before him in this at- tempt . Yet he did not find himself prevented by their labours ; in which , befides innumerable VOL . I. leffer A leffer faults , he , more especially , observed two.
Page ix
... fame time , and are both wholly Roman . I. The former , or DIDACTIC epiftle , was , in fact , the true and proper offspring of the SA- TIRE . It will be worth while to reflect how this happened . Satire , in its origin , I mean in the ...
... fame time , and are both wholly Roman . I. The former , or DIDACTIC epiftle , was , in fact , the true and proper offspring of the SA- TIRE . It will be worth while to reflect how this happened . Satire , in its origin , I mean in the ...
Page ix
... fame measure . When therefore Horace tells us , that Lucilius was the Inventor of the fatire , it muft needs be understood , that he was the FIRST , who , from its former confufed ftate , reduced it into a re- gular confiftent poem ...
... fame measure . When therefore Horace tells us , that Lucilius was the Inventor of the fatire , it muft needs be understood , that he was the FIRST , who , from its former confufed ftate , reduced it into a re- gular confiftent poem ...
Page ix
... that the rules and labour of compofition were exactly the fame in these two poems . Though the critics on Statius , not ap- prehending prehending this identity , or exact correspondence between the fatire INTRODUCTIO N. ix.
... that the rules and labour of compofition were exactly the fame in these two poems . Though the critics on Statius , not ap- prehending prehending this identity , or exact correspondence between the fatire INTRODUCTIO N. ix.
Page xiv
... fame purpose another great Critic ; Non folum antiquorum irrotxas in morali- bus hoc habuere , ut ánoλebíar non fervarent , fed etiam alia de quibufcunque rebus præcepta . Sic Epiftola Horati } ad Pijones de Poëtica perpetuum ordinem ...
... fame purpose another great Critic ; Non folum antiquorum irrotxas in morali- bus hoc habuere , ut ánoλebíar non fervarent , fed etiam alia de quibufcunque rebus præcepta . Sic Epiftola Horati } ad Pijones de Poëtica perpetuum ordinem ...
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againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ