Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page 72
... on the Roman stage , gives great force and spirit to the precept , at the fame time that it exemplifies it in the happiest manner . It feems further probable to me , me , that the poet also designed an indirect com- 72 NOTES ON THE.
... on the Roman stage , gives great force and spirit to the precept , at the fame time that it exemplifies it in the happiest manner . It feems further probable to me , me , that the poet also designed an indirect com- 72 NOTES ON THE.
Page 113
... probable conformity betwixt her fears and " fupplications at firft , and her firmness " and refolution afterwards . " But how doth VOL . I. I this this appear , independently of the name of this great ART OF POETRY . 113.
... probable conformity betwixt her fears and " fupplications at firft , and her firmness " and refolution afterwards . " But how doth VOL . I. I this this appear , independently of the name of this great ART OF POETRY . 113.
Page 128
... compliance with that of the public ; for , as one fays , who well knew the expediency of this craft , and practifed accordingly , to write unnatural unnatural things is the most probable way of pleaf- ing 128 NOTES ON THE .
... compliance with that of the public ; for , as one fays , who well knew the expediency of this craft , and practifed accordingly , to write unnatural unnatural things is the most probable way of pleaf- ing 128 NOTES ON THE .
Page 129
Horace. unnatural things is the most probable way of pleaf- ing them who understand not nature . [ Dryd . Pref . to Mock Aftrol . ] 193. ACTORIS PARTES CHORUS , & c . ] See . alfo Ariftotle [ wie . Woint . x . in . ] The judgments of two ...
Horace. unnatural things is the most probable way of pleaf- ing them who understand not nature . [ Dryd . Pref . to Mock Aftrol . ] 193. ACTORIS PARTES CHORUS , & c . ] See . alfo Ariftotle [ wie . Woint . x . in . ] The judgments of two ...
Page 141
... probable cause affembled toge- ther , as witneffes and fpectators of the great action of the drama . Such perfons , as they cannot be wholly uninterested in what paffes 3 before before them , will very naturally bear fome share in ART ...
... probable cause affembled toge- ther , as witneffes and fpectators of the great action of the drama . Such perfons , as they cannot be wholly uninterested in what paffes 3 before before them , will very naturally bear fome share in ART ...
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againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ