Q. Horatii Flacci Epistolae Ad Pisones, Et Augustum, Volume 1 |
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Page 18
... Tibia non , ut nunc , orichalco , juncta , tubaeque Aemula ; fed tenuis , fimplexque foramine pauco , Afpirare et adeffe choris erat utilis , atque Nondum fpiffa nimis conplere fedilia flatu : 205 Quo fane populus numerabilis , utpote ...
... Tibia non , ut nunc , orichalco , juncta , tubaeque Aemula ; fed tenuis , fimplexque foramine pauco , Afpirare et adeffe choris erat utilis , atque Nondum fpiffa nimis conplere fedilia flatu : 205 Quo fane populus numerabilis , utpote ...
Page 155
Horace. 202. TIBIA NON , UT NUNC , ORICHALCO , & c . from line 202 to 220 ] This is one of those many paffages in the epiftle , about which the critics have faid a great deal , without ex- plaining any thing . In fupport of what I mean ...
Horace. 202. TIBIA NON , UT NUNC , ORICHALCO , & c . from line 202 to 220 ] This is one of those many paffages in the epiftle , about which the critics have faid a great deal , without ex- plaining any thing . In fupport of what I mean ...
Page 157
... tibia non , ut nunc , orichalco vinta , & c . delivered in the ufual tone of de- claimers against modern manners . Hence the epithets , frugi caftufque verecundufque , to denote the quality of those who affifted , of old , at these ...
... tibia non , ut nunc , orichalco vinta , & c . delivered in the ufual tone of de- claimers against modern manners . Hence the epithets , frugi caftufque verecundufque , to denote the quality of those who affifted , of old , at these ...
Page 158
... tibia , fays the poet , was at firft low and fimple . " The first , as beft agreeing to the fate of the " Stage , which required only a soft music to go " along with , and affift the chorus ; there being " no large and crouded theatres ...
... tibia , fays the poet , was at firft low and fimple . " The first , as beft agreeing to the fate of the " Stage , which required only a soft music to go " along with , and affift the chorus ; there being " no large and crouded theatres ...
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againſt ancient arifing Atellane beauty becauſe befides beſt cafe caft cauſe cenfure character chorus Cicero comedy COMMENTARY compofition confiftent courſe critic Dacier defign Diomedes drama Ennius epiftle eſpecially etiam Euripides expreffion exprefs facundia faid fame fatire fatyrs fays fcenes feems feen fenfe fentiments ferve feveral fhew fhewn fhould firft firſt fome fometimes fpeaks fpecies ftage ftate ftill fubject fuch fufficient fuppofe fure genius Greek hath himſelf Hippolytus Horace inftance inftruction itſelf juft juſt laft language leaſt lefs manner meaſure Medea Menander ment moft moral moſt mufic muft muſt nature neceffary numbers obferved occafion old comedy orichalco paffage paffion Peleus perfons philofopher Plautus pleaſure poem poet poet's poetry purpoſe quæ quid Quinctilian racter reader reafon refpect Roman rule ſeems ſenſe Shakeſpeare Sophocles ſpeaking ſpirit ſtage ſuch taſte Telephus thefe themſelves theſe thing thofe thoſe tibia tragedy tragic underſtood uſe words writers καὶ