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Tell her again, the sneer upon her face,
And all her censures of the work of grace,
Are insincere, meant only to conceal

A dread she would not, yet is forced to feel;
That in her heart the Christian she reveres,
And while she seems to scorn him, only fears.
A poet does not work by square or line,
As smiths and joiners perfect a design;
At least we moderns, our attention less,
Beyond th' example of our sires digress,
And claim a right to scamper and run wide,
Wherever chance, caprice, or fancy guide.
The world and I fortuitously met;

I owed a trifle, and have paid the debt;
She did me wrong, I recompensed the deed,
And, having struck the balance, now proceed.
Perhaps, however, as some years have pass'd
Since she and I conversed together last,
And I have lived recluse in rural shades,
Which seldom a distinct report pervades,
Great changes and new manners have occurr'd,
And blest reforms, that I have never heard,
And she may now be as discreet and wise,
As once absurd in all discerning eyes.
Sobriety perhaps may now be found,
Where once intoxication press'd the ground;
The subtle and injurious may be just,

And he grown chaste, that was the slave of lust;
Arts once esteem'd may be with shame dismiss'd;
Charity may relax the miser's fist;

The gamester may have cast his cards away,
Forgot to curse, and only kneel to pray.

It has indeed been told me, (with what weight,
How credibly, 'tis hard for me to state,)
That fables old, that seem'd for ever mute,
Revived, are hastening into fresh repute,
And gods and goddesses, discarded long
Like useless lumber, or a stroller's song,
Are bringing into vogue their heathen train,
And Jupiter bids fair to rule again ;

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That certain feasts are instituted now,
Where Venus hears the lover's tender vow;
That all Olympus through the country roves,
To consecrate our few remaining groves,
And echo learns politely to repeat

The praise of names for ages obsolete:

That having proved the weakness, it should seem,
Of revelation's ineffectual beam,

To bring the passions under sober sway,
And give the moral springs their proper play,
They mean to try what may at last be done
By stout substantial gods of wood and stone,
And whether Roman rites may not produce
The virtues of old Rome for English use.
May such success attend the pious plan,
May Mercury once more embellish man,
Grace him again with long-forgotten arts,
Reclaim his taste, and brighten up his parts,
Make him athletic, as in days of old,
Learn'd at the bar, in the palæstra bold,
Divest the rougher sex of female airs,
And teach the softer not to copy theirs:

The change shall please, nor shall it matter aught
Who works the wonder, if it be but wrought.

'Tis time, however, if the case stands thus,
For us plain folks, and all who side with us,
To build our altar, confident and bold,
And say as stern Elijah said of old,—
The strife now stands upon a fair award,
If Israel's Lord be God, then serve the Lord;
If he be silent, faith is all a whim,
Then Baal is the God, and worship him.*

Digression is so much in modern use,
Thought is so rare, and fancy so profuse,
Some never seem so wide of their intent,
As when returning to the theme they meant;
As mendicants, whose business is to roam,
Make every parish but their own their home.

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Alluding to a taste then in vogue of erecting every where statues of the old heathen divinity.

Though such continual zigzags in a book, Such drunken reelings have an awkward look, And I had rather creep to what is true, Than rove and stagger with no mark in view; Yet to consult a little, seem'd no crime, The freakish humour of the present time: But now to gather up what seems dispersed, And touch the subject I design'd at first, May prove, though much beside the rules of art, Best for the public, and my wisest part. And first, let no man charge me, that I mean To clothe in sable every social scene, And give good company a face severe, As if they met around a father's bier; For tell some men, that pleasure all their bent, And laughter all their work, is life mispent, Their wisdom bursts into this sage reply, Then mirth is sin, and we should always cry. To find the medium asks some share of wit, And therefore 'tis a mark fools never hit. But though life's valley be a vale of tears, A brighter scene beyond that vale appears, Whose glory, with a light that never fades, Shoots between scatter'd rocks and opening shades, And, while it shews the land the soul desires, The language of the land she seeks inspires. Thus touch'd, the tongue receives a sacred cure Of all that was absurd, profane, impure; Held within modest bounds, the tide of speech Pursues the course that truth and nature teach; No longer labours merely to produce The pomp of sound, or tinkle without use: Where'er it winds, the salutary stream, Sprightly and fresh, enriches every theme, While all the happy man possess'd before, The gift of nature, or the classic store, Is made subservient to the grand design, For which Heaven form'd the faculty divine, So should an idiot, while at large he strays, Find the sweet lyre on which an artist plays,

With rash and awkward force the chords he shakes,
And grins with wonder at the jar he makes ;
But let the wise and well-instructed hand
Once take the shell beneath his just command,
In gentle sounds it seems as it complain'd
Of the rude injuries it late sustain'd,

Till, tuned at length to some immortal song,

It sounds Jehovah's name, and pours his praise along.

RETIREMENT.

In tracing the poet's progress in these compositions, we find his own information true, " that as the season of flowers departed, his industry relaxed." Retirement, though begun in August, was not completed till the nineteenth of October, its earlier predecessors being already put to press. "My view in choosing that subject,” observes the author, in his Private Correspondence, "is to direct to the proper use of the opportunities it affords for the cultivation of a man's best interests; to censure the vices and the follies which people carry with them into their retreats, where they make no other use of their leisure, than to gratify themselves with the indulgence of their favourite appetites, and to pay themselves by a life of pleasure for a life of business. In conclusion, I would enlarge upon the happiness of that state when discreetly enjoyed, and religiously improved." This aim he has fully accomplished. The poem has been pronounced to be the most thoroughly poetical of the series now under examination. In richness of imagery, correct, and, at the same time, picturesque language, easy and graceful versification, this is not an exaggerated estimate of the finest portions of the poem. Indeed, this poem alone is a triumphant refutation of an opinion entertained in British criticism, that practical religion cannot successfully be made the subject of poetry. The close of Retirement, though less brilliant than its commencement, must possess a tender charm for those who love the quiet of domestic life, where all its hopes point upwards, and where Christianity sheds a heavenly. lustre over its humblest joys. The composition, on the whole, considered simply in relation to the genius it displays, is a noble effort, and, in some of the higher and more imaginative departments of the poetic art, raises expectations which no subsequent work of the author fully realized.

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