Continuum Encyclopedia of Animal Symbolism in World Art

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A&C Black, Jan 1, 2006 - Art - 476 pages
The famous animal tale of the six blind men and the elephant, in which each of the blind men describes the elephant differently, depending on the part of the creature touched, has been interpreted in ways nearly as varied as the blind men's descriptions. In each of these various interpretations, the story demonstrates the use of animal metaphors to express important issues. As Claude Levy-Strauss famously said: "animals are good to think." The focus of the encyclopedia is on animals and their symbolism in diverse world cultures and in different eras of human history. Most entries on particular animals begin with brief zoological information, which includes the animal's scientific name and classification as well as its range, habitat, and behavior. Main, general entries on cultural, chronological and geographical areas include cross-references to specific cultures discussed in greater detail. Other broader entries address the significance of animals in their own environments (e.g., architecture of animals, tools used by animals), and still others deal with animals in the human sphere (e.g., pet animals, zoo). The ways that people think about animals and what people do to and with animals as a result are discussed in more theoretical entries, such as anomalous animal and complimentary duality. Some entries deal with the ways in which animals are depicted (composition, X-ray images). The work concludes with a Bibliography, and Index of Names, and an Appendix of Animal Taxonomy.
 

Selected pages

Contents

Section 1
1
Section 2
21
Section 3
25
Section 4
52
Section 5
67
Section 6
68
Section 7
119
Section 8
125
Section 19
297
Section 20
312
Section 21
337
Section 22
338
Section 23
339
Section 24
352
Section 25
396
Section 26
398

Section 9
151
Section 10
169
Section 11
170
Section 12
205
Section 13
206
Section 14
235
Section 15
245
Section 16
250
Section 17
264
Section 18
292
Section 27
418
Section 28
420
Section 29
443
Section 30
445
Section 31
446
Section 32
455
Section 33
459
Section 34
469
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About the author (2006)

Hope D. Werness is professor of art at California State University, Stanislaus. An art historian specializing in tribal, Precolumbian, and 19th and 20th European art, she is also a practicing artist, working in ceramics. She is the author of The Symbolism of Mirrors in Art from Ancient Times to the Present.

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