A History of English Dramatic Literature to the Death of Queen Anne, Volume 1Macmillan and Company, 1875 - English drama |
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Page viii
... kind of drama , but to every kind of drama which falls within the range of literature . To speak of ' dance - poems is to use an expression analogous to such phrases as ' songs without words ' or ' word - painting , ' - metaphors ...
... kind of drama , but to every kind of drama which falls within the range of literature . To speak of ' dance - poems is to use an expression analogous to such phrases as ' songs without words ' or ' word - painting , ' - metaphors ...
Page xiii
... except that which is generally appro- priate to the nature of the subject , may be legitimately left aside altogether . Where on the other hand , as more especially in a particular kind of comedy , that which INTRODUCTION . xiii.
... except that which is generally appro- priate to the nature of the subject , may be legitimately left aside altogether . Where on the other hand , as more especially in a particular kind of comedy , that which INTRODUCTION . xiii.
Page xiv
... kind of drama can be exclusively occupied with the representation of manners , for a drama of manners only would be a contradiction in terms . Lastly , there is nothing essential to the drama in the source of the subjects which it ...
... kind of drama can be exclusively occupied with the representation of manners , for a drama of manners only would be a contradiction in terms . Lastly , there is nothing essential to the drama in the source of the subjects which it ...
Page xv
... the action is of a tragic or of a comic kind . The view taken of a conflict is however antecedently affected by the conception of the relation between the forces engaged . It is here that moral considerations , based INTRODUCTION . XV.
... the action is of a tragic or of a comic kind . The view taken of a conflict is however antecedently affected by the conception of the relation between the forces engaged . It is here that moral considerations , based INTRODUCTION . XV.
Page xxxix
... kind . The characters are real characters ; and though the author takes most delight in the comic side of the story , he has rather skilfully contrived to supply some dramatic justification of the success of Rebecca's inge- nuity . The ...
... kind . The characters are real characters ; and though the author takes most delight in the comic side of the story , he has rather skilfully contrived to supply some dramatic justification of the success of Rebecca's inge- nuity . The ...
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Common terms and phrases
acted action actors allusion already appears Bartholomew Fair Ben Jonson called century character classical Collier comedy comic connexion course criticism Cynthia's Revels death doubt doubtless drama dramatic literature dramatist Dyce earlier edition Edward Edward II element Elisabethan England English entertainments euphuism Fletcher French genius German Hamlet hand Henry VI Henry VIII hero Hero and Leander humour influence introduced Italian Jonson kind King Klein Latin latter literary Locrine London Lord Lyly Lyly's Marlowe Marlowe's mask mentioned moralities mysteries Old Plays original pageants passage period Plautus plot poem poet poetic popular printed probably produced Prologue published Queen Elisabeth reference reign religious resemblance Richard III satire scene seems Sejanus seqq Shak Shakesp Shakespeare Shakspere Shakspere's Shakspere's plays Spanish Tragedy species speech spere stage story theatre tion Titus Andronicus tragedy tragic translation verse writers written
Popular passages
Page 159 - If we shadows have offended. Think but this, and all is mended, That you have but slumber'd here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend...
Page 324 - Which some call nature's bastards : of that kind Our rustic garden's barren; and I care not To get slips of them.
Page 187 - It's no sin to deceive a Christian; For they themselves hold it a principle, Faith is not to be held with heretics; But all are heretics that are not Jews; This follows well, and therefore, daughter, fear not.
Page 228 - Beauty is but a flower, Which wrinkles will devour: Brightness falls from the air; Queens have died young and fair; Dust hath closed Helen's eye; I am sick, I must die. Lord have mercy on us!
Page 273 - Yes, trust them not: for there is an upstart crow beautified with our feathers, that with his tiger's heart, wrapt in a player's hide, supposes he is as well able to bombast out a blank verse as the best of you; and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country.
Page 324 - Yet nature is made better by no mean But nature makes that mean; so over that art, Which you say adds to nature, is an art That nature makes. You see, sweet maid, we marry A gentler scion to the wildest stock, And make conceive a bark of baser kind By bud of nobler race. This is an art Which does mend nature — change it rather; but The art itself is nature.
Page 552 - As when some one peculiar Quality Doth so possess a Man, that it doth draw All his Effects, his Spirits, and his Powers, In their Confluxions all to run one Way,' This may be truly said to be a Humour.
Page 571 - ... so solemnly ridiculous, as to search out, who was meant by the gingerbread woman, who by the hobby-horse man, who by the costard-monger, nay, who by their wares.
Page 173 - Marlowe, bathed in the Thespian springs, Had in him those brave translunary things That the first poets had ; his raptures were All air and fire, which made his verses clear ; For that fine madness still he did retain Which rightly should possess a poet's brain.
Page 538 - No doubt some mouldy tale, Like Pericles and stale As the shrieve's crusts, and nasty as his fish — Scraps, out of every dish Thrown forth, and raked into the common tub...