Towards a Poetics of the Indian English Novel

accept Anglo-Indian argue attempt attitude authors become brahmin called caste chapter characters civilization colonialism concern considered continue course criticism culture define Delhi dharma discussion distortions dominant earlier essay example experience fact forces genre gives Hatterr idea ideology IE fiction IE literature IE novel IE novelist important independence Indian English Indian novel interesting kind language latter literary live London major Marxism means merely mode Narayan narrative native Nemade never offer orientation origin poetics political political novel position possible privileged problem published question Raja Rao realism reality remains representation result Rohinton Mistry Rushdie seems seen sense similar Similarly social society story style suggest texts theory Third World traditions trend types understand usually values West Western whale wish writers written