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Page 5
I consider the scene before me as a MicroCOSM , a world in miniature , where all
the passions which agitate the great original , are faithfully portrayed on a smaller
scale ; in which the endless variety of character , the different lights and ...
I consider the scene before me as a MicroCOSM , a world in miniature , where all
the passions which agitate the great original , are faithfully portrayed on a smaller
scale ; in which the endless variety of character , the different lights and ...
Page 65
Blackmore , a man now grown to a by - word in criticism , in the original structure
of his poem was little , if at all , inferior to the great prototypes of antiquity ; but that
simplicity and uniformity so visible in the first design , was in every other respect ...
Blackmore , a man now grown to a by - word in criticism , in the original structure
of his poem was little , if at all , inferior to the great prototypes of antiquity ; but that
simplicity and uniformity so visible in the first design , was in every other respect ...
Page 207
Lionel Thomas Berguer. taken upon them to provide ample entertainment for all
his majesty ' s Christian subjects who are inclined to be tuneful . The passage in
the original language stands thus ; Κακοσαθεί τις εν υμίν ; σδοσευχέσθω : εύθυμεί
...
Lionel Thomas Berguer. taken upon them to provide ample entertainment for all
his majesty ' s Christian subjects who are inclined to be tuneful . The passage in
the original language stands thus ; Κακοσαθεί τις εν υμίν ; σδοσευχέσθω : εύθυμεί
...
Page 218
vantage , which the histories of the modern worthies enjoy over their ancient
originals , which is that of uniting the great and sublime of epic grandeur , with the
little and the low of common life ; and of tempering the fiercer and more glaring ...
vantage , which the histories of the modern worthies enjoy over their ancient
originals , which is that of uniting the great and sublime of epic grandeur , with the
little and the low of common life ; and of tempering the fiercer and more glaring ...
Page 245
My friend continued , by remarking , that the people of Athens allowed to the
judicious critic , who should adapt a tragedy of Ęschylus to the stage , an equal
proportion of credit and copymoney , with the author of an original drama . Yet he
...
My friend continued , by remarking , that the people of Athens allowed to the
judicious critic , who should adapt a tragedy of Ęschylus to the stage , an equal
proportion of credit and copymoney , with the author of an original drama . Yet he
...
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Popular passages
Page 249 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetic ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison, HUGHES.
Page 249 - His prose is the model of the middle style ; on grave subjects not formal, on light occasions not grovelling ; pure without scrupulosity, and exact without apparent elaboration ; always equable and always easy, without glowing words or pointed sentences.
Page 169 - Let others better mould the running mass Of metals, and inform the breathing brass, And soften into flesh, a marble face ; Plead better at the bar ; describe the skies, And when the stars descend, and when they rise.
Page 85 - All on a summer's day." I cannot leave this line without remarking that one of the Scribleri, a descendant of the famous Martinus, has expressed his suspicions of the text being corrupted here, and proposes instead of " all on " reading " alone ", alleging, in favour of this alteration, the effect of solitude in raising the passions.
Page 184 - Yet all these were, when no man did them know; Yet have from wisest ages hidden beene: And later times things more unknowne shall show. Why then should witlesse man so much misweene That nothing is, but that which he hath scene?
Page 135 - With dust dishonour'd, and deform'd with gore. As the young olive, in some sylvan scene, Crown'd by fresh fountains with eternal green, Lifts the gay head, in snowy flowrets fair, And plays and dances to the gentle air; When lo ! a whirlwind from high heaven invades The tender plant, and...
Page 68 - I saw them under a green mantling vine That crawls along the side of yon small hill, Plucking ripe clusters from the tender shoots ; Their port was more than human, as they stood : I took it for a...
Page 81 - I too am not entirely destitute of abilities of this kind ; but that by possessing a decent share of critical discernment, and critical jargon, I am capable of becoming a very tolerable commentator. For the proof of which, I shall rather prefer calling the attention of my readers to an object, as yet untreated of by any of my immediate predecessors, than venture to throw in my observations on any work which has before passed the ordeal of frequent examination. And this I shall do for two reasons...
Page 81 - I to take occasion to shew that I too am not entirely destitute of abilities of this kind; but that by possessing a decent share of critical discernment, and critical jargon, I am capable of becoming a very tolerable commentator. For the proof of which, I shall rather prefer calling the attention of my readers to an ob°ject, as yet untreated of by any of my immediate...
Page 91 - Thus have I industriously gone through the several parts of this wonderful work ; and clearly proved it, in .every one of these parts, and in .all of them together, to be a due and proper epic poem ; and to have as good a right to that title, from its adherence to prescribed rules, as any of the celebrated master-pieces of antiquity. And here I cannot help again lamenting, that by not knowing the name of the author, I am unable to twine...