Amusing Ourselves to Death: Public Discourse in the Age of Show BusinessTelevision has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals. |
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Page 14
... that in every tool we create, an idea is embedded that goes beyond the
function of the thing itself. It has been pointed out, for example, that the invention
of eyeglasses in the twelfth century not only made it possible to improve defective
vision ...
... that in every tool we create, an idea is embedded that goes beyond the
function of the thing itself. It has been pointed out, for example, that the invention
of eyeglasses in the twelfth century not only made it possible to improve defective
vision ...
Page 42
For those readers who may believe that this idea is too “McLuhanesque” for their
taste, I offer Karl Marx from The German Ideology. “Is the Iliad possible,” he asks
rhetorically, “when the printing press and even printing machines exist? Is it not ...
For those readers who may believe that this idea is too “McLuhanesque” for their
taste, I offer Karl Marx from The German Ideology. “Is the Iliad possible,” he asks
rhetorically, “when the printing press and even printing machines exist? Is it not ...
Page 64
In the 1840's, America was still a composite of regions, each conversing in its
own ways, addressing its own interests. A continentwide conversation was not
yet possible. The solution to these problems, as every school child used to know,
was ...
In the 1840's, America was still a composite of regions, each conversing in its
own ways, addressing its own interests. A continentwide conversation was not
yet possible. The solution to these problems, as every school child used to know,
was ...
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really goot, taught me a lot about the tv and the way that tv shocks our life.
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"What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one."
Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business, (Penguin Books, 1986, 2005), p. xix.
http://archivalqualitycommunication.blogspot.com/
Contents
The Medium Is the Metaphor | 3 |
Media as Epistemology | 16 |
Typographic America | 30 |
Copyright | |
11 other sections not shown
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Amusing Ourselves to Death: Public Discourse in the Age of Show Business Neil Postman Limited preview - 2006 |
Amusing Ourselves to Death: Public Discourse in the Age of Show Business Neil Postman Limited preview - 2005 |
Amusing Ourselves to Death: Public Discourse in the Age of Show Business Neil Postman Limited preview - 2006 |
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advertising America amusing appears argument assumed attention audience become beginning believe called century changes character claims communication continuous conversation course created culture discourse entirely example expressed fact give given human idea important intellectual interest kind knowledge language largely learning least lives look matter means medium ment merely metaphor mind move nature newspaper offer once oral photograph play political possible present President printed printed word problem produce public discourse question rational readers reason religion religious remarked sense serious sion social speak speech story Street suggested symbolic taken telegraph television television commercial tell thing thought tion tradition true truth turn understanding universe viewers watch writing written York