It sweetly smil'd in its native bower, But a cold blast came like the wintry air, Which nipt this sweet and enchanting flower, The lovely Mary of Buttermere. O! sweet was the hour, that like morning clear, And the lily pale now languish'd there, For there was a charm, and a witching spell, XXIII. SONG. AIR." What ails this heart o' mine." Her kiss was soft and sweet, Her smiles were free and fain, And beaming bright the witching glance Of her I thought my ain. That kiss has poison'd peace, Now lonely's every haunt That I once trode with joy, And dull and dear the sacred grove Where we were wont to toy. The rose can please nae mair, The lily seems to fade, And waefu' seems the blackbird's sang That used to cheer the glade. This bosom once was gay, Yet none shall hear the sigh That struggles to be free, No tear shall trace this sallow cheek, No murmur burst from me. Tho' silent be my woe, Forlorn I brood on former joys She minds na o' the vows That seal'd our youthful love, But heaven has records that will last, My faith and truth to prove. XXIV. DIRGE OF A HIGHLAND CHIEF,* Who was executed after the Rebellion. Son of the mighty and the free, Oh! hadst thou slumbered with the slain; We then had mourn'd thee not. But darkly clos'd thy morn of fame, Yet oh! if gallant spirit's power, Last of a mighty line. * This feeling and pathetic dirge was composed by a young gentleman or. reading, immediately after its first appearance, the well-known work entitled Waverley. It was then forwarded to the supposed author, requesting, if he should approve, and, under his correction, that it might be inserted in the future editions of that celebrated novel. The individual, however, to whom it was addressed, being wholly unconnected with the work referred to, and having no influence to obtain a place for it there, it was judged proper, O'er thy own bowers the sunshine falls, On thy blue hills no bugle sound Thou lead'st the chase no more. Thy Bard his pealing harp has broke ; One lay to mourn thy fate he woke, No other theme to him is dear Than lofty deeds of thine; Hush'd be the strain thou can'st not hear, both to preserve the song itself from oblivion, and that the real author of Waverley might be aware of the honour which was thus intended him, to send it for publication to the Edinburgh Annual Register. From that work we have taken the liberty now to extract it, convinced that our readers will derive that pleasure from its perusal which we conceive it so well calculated to afford. |