Hindi Film Songs and the CinemaHindi film songs have dominated the popular culture of South Asia and South Asian communities worldwide since the 1930s. Anna Morcom examines the subject from the perspectives of ethnomusicology, popular music studies, film music studies and South Asian studies. |
Contents
2 | 6 |
3 | 33 |
1 | 62 |
4 | 64 |
4 | 80 |
5 | 87 |
7 | 94 |
8 | 100 |
1 | 140 |
6 | 161 |
from MughaleAzam DVD stills | 163 |
Suman and pigeon Maine Pyar Kiya Kamat Foto Flash | 170 |
Rs 3035 million in June 1999 Yashraj Films | 202 |
Conclusions | 236 |
243 | |
Filmography | 253 |
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Common terms and phrases
A. R. Rahman Aditya Chopra Alka Yagnik Anand Bakshi Anu Malik Arjun Arnold audiences audio background music background scores Bass cassette chapter characters classical music commercial composed culture dancing Dil To Pagal discussed dramatic emotions example expression film music film narrative film song style films and film Ganga genres heroine Hindi cinema Hindi film songs ibid Indian music instrumental interludes interview Kabhi Kumar kyā lyricist Male chorus Manuel Marte Hain melody Mughal-e-Azam mukhṛā music company music director musical style nahīn Naushad orchestration parent film performance playback singers played popular music producer Pyar qawwali qawwālī style R.D. Burman radio rāg Rajiv recording session refrain release role romantic Sabri brothers scene Sholay shot singing song sequences song situation sound stasis sung television traditional qawwālī trailers tunes Urdu Uttam Singh verse violins visual vocal Western music Whilst Yash Chopra Yash Raj Films