Sangeet Natak, Issues 83-86

activity actor aesthetic Akademi ālāpa allowed appear artist attention audience bangsawan basic become begin body called character choreography classical costumes course created critic cultural dance dancers demands developed devotional distinct drama effects elements exercises existing expression fact feeling final functions given hand human important Indian individual instance interesting interpretation involved Kalarippayattu Kathakali kind known language later look Malay material matter meaning merely move movement object painting Parsi particular patterns performance person play poetry popular position possible practice present produce prose question rāga raja relation remains response rhythm role Sangeet Natak scene seen seri serve singing social songs sound speak specific stage stories structure style suggest swara symbolism technique temple theatre tion tradition troupe various Western writing