· TRANSLATIONS FROM MILTON—Continued To Salsillus . . . . . . . . . An Ode addressed to Mr. John Rouse The Philosopher and the King . . On the Engraver of his Portrait . TRANSLATIONS OF THE Italian Poems of Milton ................... . · . TRANSLATIONS FROM THE LATIN CLASSICS The Fifth Satire of the First Book of Horace The Ninth Satire of the First Book of Horace . . Virgil's Aeneid, Book VIII., line 18 . Ovid, Trist., Lib. V., Eleg. XII. Hor., Lib. I., Ode IX. . . . . . . . . . Hor., Lib. I., Ode XXXVIII. . . . . . . Another Translation of the same Ode EPIGRAMS TRANSLATED FROM THE LATIN OF OWEN Prudent Simplicity . . . . . . . . Sunset and Sunrise . . . . . . . . By Callimachus . . . . . . . . . PAGB · · · TRANSLATIONS OF GREEK VERSES-Continued Translation of an Epigram of Homer TRANSLATIONS OF ENGLISH VERSES From the Fables of Gay . . . . . Translation of a Simile in Paradise Lost . . LIST OF ILLUSTRATIONS PAGE xcii 85 1. WINTER. From & design by William Blake (see Winter Evening, line 120) in the possession of Bertram Vaughan . Frontispiece 2. CowPER'S HORSE AND Dog. From an oil painting by Margarson in the possession of the Rev. Canon Cowper Johnson Facing p. xiv of Introduction 3. A SEAL. Representing Omphale wearing the lion's skin of Hercules. Given to Cowper by his cousin, Theodora Cowper. Johnson . . . . . . . . . . 4. OLNEY. From an engraving by Finden after a drawing by J. D. Harding . . . . . Annott in the 6. COWPER. From the portrait in oils by Lemuel Abbott in the possession of the Rev. Canon Cowper Johnson . . . 6. CowPER'S HOUSE AT OLNEY. From an engraving by Goodall after a drawing by W. Harvey . .. . ...in 7. LADY AUSTEN. From an engraving by H. Robinson after a drawing by W. Harvey of the original portrait by George Romney . . . . . . . . . . 8. LORD TAURLOW. From an engraving by Dickenson after the portrait by George Romney . . 9. CowPER. From the crayon portrait by George Romney in the possession of B. Vaughan Johnson, Esq. . . . . 10. THE ELMs. From a drawing by John Greig, engraved in Cowper Illustrated by a Series of Views, 1803 . . . . 253 11. THE WEATHER House, THE PEASANT'S NEST, AND CowPER's HARES. From a drawing by William Blake. Engraved by him for Hayley's Life of Cowper . . . . . . 254 12. Sir John THROCKMORTON, Bart. From the original portrait by Downman in the possession of B. Vaughan Johnson, Esq. . 13. THE LIME WALK AT WESTON. From an engraving by Stocks after a drawing by W. Harvey . . . . . . 256 caric PAGE 14. The Rustic BRIDGE (see The Sofa, line 267). From a drawing by J. Storer, engraved in Cowper Illustrated by a Series of . . . . 267 15. EVENING. From a design by William Blake in the possession of B. Vaughan Johnson, Esq. . . . . . . . 308 16. THE VALLEY of the OUSE AT OLNEY. From an engraving by Goodall after a drawing by W. Harvey . . . . . 340 17. MARIA, WIFE OF Sir John THROCKMORTON, Bart. From the original portrait by Downman in the possession of B. Vaughan Johnson, Esq. . . . . . . . . . 393 18. CowPER’s MOTHER. From the original portrait by D. Heins in the possession of the Rev. C. E. Donne . . . . 407 19. GEORGE COLMAN. From the painting by Gainsborough in the National Portrait Gallery . . . . . . . 438 20. LADY HESKETH. From an engraving by H. Robinson after a drawing by W. Harvey of the original painting by F. Cotes 443 21. WARREN HASTINGS. From the painting by Sir Thomas Lawrence in the National Portrait Gallery . . . . . . 489 22. WILLIAM HAYLEY. From an engraving by H. Robinson after a drawing by W. Harvey of the original portrait by Romney 490 23. MRs. BODHAM. From the original portrait by Abbott in the possession of W. Mowbray Donne, Esq. . . . . . 494 24. Mrs. Unwin. From an engraving by H. Robinson after a drawing by W. Harvey of the original painting by Devis 503 25. CowPER. From the engraving by Finden after the portrait by Sir Thomas Lawrence . . . . . . . . 562 26. CowPER'S HOUSE AT WESTON. From an engraving by Goodall after a drawing by W. Harvey . . . . . . 600 27. CowPER. From a miniature by William Blake after the portrait by George Romney, in the possession of the Rev. Canon . . . . . 663 |