The Orator's Manual: A Practical and Philosophical Treatise on Vocal Culture, Emphasis and Gesture, Together with Hints for the Composition of Orations and Selections for Declamation and Reading... |
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Page 9
... Pauses § 35 ; Quantity § 39 ; Movement § 40 ; the didactic , detailed , strange , etc. § 41 ; Quotations , Illus- trations , Parentheses , etc. PITCH . Inflections - Emphatic Slides , Significance of , § 43 ; method of giving , § 45 ...
... Pauses § 35 ; Quantity § 39 ; Movement § 40 ; the didactic , detailed , strange , etc. § 41 ; Quotations , Illus- trations , Parentheses , etc. PITCH . Inflections - Emphatic Slides , Significance of , § 43 ; method of giving , § 45 ...
Page 34
... pauses and inflections , and , to some ex- tent , movement and pitch ( §§ 29 , 30 ) , it affects unfavorably ; there- fore , one should invariably determine upon these latter before the time for declaiming comes . ELEMENTS OF EMPHASIS ...
... pauses and inflections , and , to some ex- tent , movement and pitch ( §§ 29 , 30 ) , it affects unfavorably ; there- fore , one should invariably determine upon these latter before the time for declaiming comes . ELEMENTS OF EMPHASIS ...
Page 36
... pausing after a word , as after nature , character , and most , or by dwelling upon it , as upon high ; i . e . we need to read the whole in the same ... pauses . There There had the | Persian's | thousands | stood 36 ORATOR'S MANUAL .
... pausing after a word , as after nature , character , and most , or by dwelling upon it , as upon high ; i . e . we need to read the whole in the same ... pauses . There There had the | Persian's | thousands | stood 36 ORATOR'S MANUAL .
Page 37
... pause , suggested in the first place by the requirements of rhythm , is made very long . For the sake of emphasis ... Pause , marked , is used after , before or on a word . The manner of pausing is determined largely by ELEMENTS OF ...
... pause , suggested in the first place by the requirements of rhythm , is made very long . For the sake of emphasis ... Pause , marked , is used after , before or on a word . The manner of pausing is determined largely by ELEMENTS OF ...
Page 38
... pausing is determined largely by what is termed the Quantity of time that can be given to the utterance of the word ... pauses , slow or fast Movement ; e . g . Slow . A soldier of the Legion || lay dying | at Algiers ; | There was lack ...
... pausing is determined largely by what is termed the Quantity of time that can be given to the utterance of the word ... pauses , slow or fast Movement ; e . g . Slow . A soldier of the Legion || lay dying | at Algiers ; | There was lack ...
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Common terms and phrases
abdomen abrupt arms Aspirate audience blood brave breast breath Cæsar circumflex clause close conditional mood death downward earth elbow emphasis emphatic England Eustachian tubes express expulsive falling inflection father feel Finger gesture fingers force gentlemen gesture give grave Greece guttural h RC hand heart heaven helmet of Navarre Helon honor idem idem idem imperative mood Ireland Itály larynx liberty lift light lips Lochinvar look Lord loud median stress medium pitch melody Moscow mouth move movement natural Netherby never noble o'er object orotund pauses pharynx position principle pure Roman Rome Rússia Semitonic sentence side slide slow soft soft palate sound Spartacus spirit sustained syllables tell Terminal Stress thee thou thought tion tone utterance vocal voice wave words wrist
Popular passages
Page 44 - Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore, For the rare and radiant maiden whom the angels name Lenore, Nameless here for evermore.
Page 78 - I did send to you For certain sums of gold, which you denied me ; — For I can raise no money by vile means: By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection...
Page 70 - PRAISE ye the Lord. Praise God in his sanctuary: praise him in the firmament of his power. Praise him for his mighty acts: praise him according to his excellent greatness. Praise him with the sound of the trumpet: praise him with the psaltery and harp. Praise him with the timbrel and dance : praise him with stringed instruments and organs. Praise him upon the loud cymbals: praise him upon the high sounding cymbals. Let every thing that hath breath praise the Lord. Praise ye the Lord.
Page 274 - So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume; And the bride-maidens whispered, "'Twere better by far, To have matched our fair cousin with young Lochinvar.
Page 95 - I hear a knocking At the south entry : — retire we to our chamber : A little water clears us of this deed : How easy is it then ! Your constancy Hath left you unattended.
Page 110 - One touch to her hand, and one word in her ear, When they reached the hall door, and the charger stood near; So light to the croupe the fair lady he swung, So light to the saddle before her he sprung! "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow,
Page 310 - Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound Save his own dashings — yet the dead are there ! And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep — the dead reign there alone.
Page 309 - Thou shalt lie down With patriarchs of the infant world — with kings, The powerful of the earth — the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre.
Page 308 - TO him who in the love of nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
Page 338 - Loop up her tresses Escaped from the comb, Her fair auburn tresses; Whilst wonderment guesses Where was her home? Who was her father? Who was her mother? Had she a sister? Had she a brother? Or was there a dearer one Still, and a nearer one Yet, than all other? Alas for the rarity Of Christian charity Under the sun! O, it was pitiful! Near a whole city full, Home she had none.