Studies of ShakspereC. Knight, 1851 - 560 pages |
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Results 1-5 of 52
Page 4
... Lear VII . Macbeth 309 314 321 330 337 352 I. A Winter's Tale II . Cymbeline III . The Tempest IV . Troilus and Cressida V. King Henry VIII . VI . The Roman Plays . BOOK VIII . 363 371 377 387 395 404 BOOK IX . I. The Dramatists of ...
... Lear VII . Macbeth 309 314 321 330 337 352 I. A Winter's Tale II . Cymbeline III . The Tempest IV . Troilus and Cressida V. King Henry VIII . VI . The Roman Plays . BOOK VIII . 363 371 377 387 395 404 BOOK IX . I. The Dramatists of ...
Page 23
... Lear . ' The ' Lear ' wholly belongs to the Tragic Drama , " the most perfect specimen of the dramatic art existing in the world . " ' LOCRINE ' may here claim a slight notice : — The subject of this tragedy was a favourite with the ...
... Lear . ' The ' Lear ' wholly belongs to the Tragic Drama , " the most perfect specimen of the dramatic art existing in the world . " ' LOCRINE ' may here claim a slight notice : — The subject of this tragedy was a favourite with the ...
Page 35
... Lear . Othello , the Moor of Venice . Antony and Cleopatra . Cymbeline , King of Britain . " The general division here given of the plays into three classes is manifestly a dis- criminating and a just one . The editors were thoroughly ...
... Lear . Othello , the Moor of Venice . Antony and Cleopatra . Cymbeline , King of Britain . " The general division here given of the plays into three classes is manifestly a dis- criminating and a just one . The editors were thoroughly ...
Page 36
... Lear 26. All's Well that Ends Well 27. Macbeth . 28. Julius Cæsar 29. Twelfth Night . 30. Antony and Cleopatra 31. Cymbeline . 32. Coriolanus 33. Timon of Athens . 34. Winter's Tale 35. Tempest . 36. Pericles 1599 35 1599 · • 1600 ...
... Lear 26. All's Well that Ends Well 27. Macbeth . 28. Julius Cæsar 29. Twelfth Night . 30. Antony and Cleopatra 31. Cymbeline . 32. Coriolanus 33. Timon of Athens . 34. Winter's Tale 35. Tempest . 36. Pericles 1599 35 1599 · • 1600 ...
Page 39
... Lear . be regarded more especially with reference to the nature of the dramatic action . We put down these groups , rather as materials for thought in the reader , than as a decided expression of our own conviction ; because all such ...
... Lear . be regarded more especially with reference to the nature of the dramatic action . We put down these groups , rather as materials for thought in the reader , than as a decided expression of our own conviction ; because all such ...
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Other editions - View all
Common terms and phrases
action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV Henry VI honour John Jonson Juliet Julius Cæsar King labour lady Lear live Locrine look lord Love's Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy true truth verse Winter's Tale words writer written