Fourefould Meditation' by, 72 Southwell, Father Thomas, 209 Spanish, translation of Shakespeare's plays into, 199 Spanish Tragedy, Kyd's, popularity of, 40, 114 Spelling of the poet's name, 153-4 Staël, Madame de, 197 rents land of Robert Arden at, 2, | Southwell, Robert, publication of 'A 4; departure of John Shakespeare, the poet's father, from, 2; the Arden property at, 4-5; sale of Mary Shakespeare's property at, 7 Snodham, Thomas, printer, 89 Somers, Sir George, wrecked off the Bermudas, 132 Somerset House, Shakespeare and his company at, 119-20 Sonnets, Shakespeare's: the poet's first attempts, 52; the majority probably composed in 1594, 53; few written between 1594 and 1603, 53; their literary value, 53; circulation in manuscript, 70; commended by Meres, 70; their piratical publication in 1609, 70; their form, 54; want of continuity, 54, 55; autobiographical only in a limited sense, 55, 56, 58, 59, 60; their borrowed conceits, 56-9; indebtedness to Drayton, Petrarch, Ronsard, Desportes, and others, 56, 57; the poet's claim of immortality for his sonnets, 57, 96; vituperation, 58; dedicatory' sonnets, 62 seq.; the 'rival poet,' 64-6; sonnets of friendship, 66-8; the supposed story of intrigue, 59; summary of conclusions respecting the 'Sonnets,' 75-6; edition of 1640, 163 Sonnets, quoted with explanatory comments: xxvi., 63; lv., 58; lxxviii., 62, 65; lxxx., 65; lxxxvi., 65; xciv. (line 14), 44, 70; c., 62; ciii., 62; cvii., 53, 68, 69; cx., 27; cxi., 27; cxxxviii., 70; cxliv., 59, 70, 164 - the vogue of the Elizabethan : 52-3; conventional device of sonnetteers of feigning old age, 53; lack of genuine sentiment, 55; French and Italian models, 55; censure of false sentiment in sonnets, 55; Shakespeare's scornful allusions to sonnets in his plays, 55; vituperative sonnets, 58 Southampton, Henry Wriothesley, third Earl of, 32; the dedications to him of 'Venus and Adonis' and 'Lucrece,' 46, 48; his patronage of Shakespeare, 62-70; his gift to the poet, 63, 100; his youthful appearance, 67; his identity with the youth of Shakespeare's sonnets of 'friendship' evidenced by his portraits, 68; imprisonment, 69; as a literary patron, 168 Stage, conditions of, in Shakespeare's day, 24 Staple of News, The,' Jonson's quo- Stinchcombe Hill referred to as 'the Sullivan, Barry, 161 Supposes, the, of George Gascoigne, 78 Surrey, Earl of, sonnets of, 52, 54 Sussex, Earl of, his company of actors, 21; Titus Andronicus performed by, 22, 40 Swedish, translations of Shakespeare in, 199 'Sweet,' epithet applied to Shakespeare, 224 Swinburne, Mr. A. C., 38, 44, 187, 207 Tamburlaine, Marlowe's, 38 Taming of A Shrew, 78 Taming of The Shrew, 78-9. For editions see Section xvii. (Bibliography), 163-82 Tarleton, Richard, 50; his 'Newes out of Purgatorie' and the Merry Wives of Windsor, 84 'Teares of the Muses,' Spenser's, referred to in Midsummer Night's Dream, 49 Tempest, The: traces of the influence of Ovid, 8-9; 15; 26; the shipwreck akin to a similar scene in Pericles, 127; date of composition, &c., 132-4; Ben Jonson's scornful allusion to, 134; fanciful interpretations of, 134-5. editions see Section xvii. (Bibliography), 163-82 Temple Grafton, 13 For 'Temple Shakespeare, The,' 182 Tercentenary festival, the Shakespeare, 187 Terry, Miss Ellen, 191 Theatre, The, at Shoreditch, 20, 22; Shakespeare at, between 1595 and 1599, 23; demolished, and the Globe Theatre built with the materials, 23 Theatres in London: Blackfriars (q.v.); Curtain (q.v.); Fortune, 108; Globe (q.v.); Newington Butts, 23; Red Bull, 19; Rose (q.v.); The Theatre, Shoreditch (9.v.) Theobald, Lewis, his emendations of Hamlet, 115; publishes a play alleged to be by Shakespeare, 136; his criticism of Pope, 175; his edition of the poet's works, 175, 176 Thomas, Ambroise, opera of Hamlet by, 198 Thoms, W. J., 205 Thornbury, G. W., 205 Thorpe, Thomas, the piratical publisher of Shakespeare's Sonnets, 70-4; adds 'A Lover's Complaint' to the collection of Sonnets, 71; his bombastic dedication to 'Mr. W. H.,' 74-6 Three Ladies of London, The, some of the scenes in the Merchant of Venice anticipated in, 41 Tieck, Ludwig, theory respecting The Tempest of, 133, 193 Timon of Athens: date of composition, &c., 126. For editions see Section xvii. (Bibliography), 163-82 Timon, Lucian's, 126 Titus Andronicus: one of the only two plays of the poet's performed by a company other than his own, 22; authorship, &c., 40-1. For editions see Section xvii. (Bibliography), 163-82 Titus and Vespasian, Titus Andronicus suggested by, 40 Topics of the day, Shakespeare's treatment of, 30-1 Tours of English actors: in foreign countries between 1580 and 1630, 25-6; in provincial towns, 24-5, 40, 109, 119 Translations of the poet's works, 192 seq. Troilus and Cresseid,' 117 Troilus and Cressida: allusion to the strife between adult and boy actors, III; date of production, &c., 116-8; plot drawn from Chaucer's 'Troilus and Cresseid,' and Lydgate's' Troy Book,' 117. For editions see Section xvii. (Bibliography), 163-82 'Troy Book,' Lydgate's, 117 True Tragedie of Richard III, The, an anonymous play, 38, 164 True Tragedie of Richard, Duke of Yorke, 36 Twelfth Night: description of a betrothal, 13; indebtedness to the story of 'Apollonius and Silla,' 32; date of production, &c., 107. For editions see Section xvii. (Bibliography), 163-82 Two Gentlemen of Verona : allusion to Valentine travelling from Verona to Milan by sea, 26; date of production, &c., 31-2; influence of Lyly, 38; satirical allusion to sonnetteering, 55; resemblance of it to All's Well that Ends Well, 77–8. For editions see Section xvii. (Bibliography), 163-82 Two Noble Kinsmen. The attributed ULRICI, 'Shakespeare's Dramatic VARIORUM editions of Shakespeare, Vautro er, Thomas, the London Venezyon Comedy, The, produced by Verplanck, Gulian Crommelin, 181 Villemain, recognition of the poet's Vincent, Augustine, relations with Visor, William, in Henry IV, member Voss, J. H., German translation of WALKER, Sir Edward, 151 Walker, W. Sidney, on Shakespeare's Walley, Henry, printer, 116 Ward, Dr. A. W., 207 Warner, William, the probable trans- Warwickshire: prevalence of the surname Shakespeare, 1; position of the Arden famly. 4: Queen Elizabeth's progress on the way to Kenil|worth, 10 Watchmen in the poet's plays, 19, 38 Weever, Thomas: allusion in his Mirror of Martyrs' to Antony's speech at Cæsar's funeral, 108 Westward for Smelts' and the Merry Wives of Windsor, 84; story of Ginevra in, 131 Whateley, Anne, the assumed identification of her with Anne Hathaway, 13-4 Wheler, R. B., 205 Whetstone, George, his Promos and White, Mr. Richard Grant, 181-2 Wieland, Christopher Martin: his 80 Wilnecote. See under Wincot Wilson, Thomas, his manuscript Wincot (in The Taming of The Wise, Andrew, 39, 105 |