Art and Visual Perception: A Psychology of the Creative Eye |
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Page 41
... circle , and yet both B and the circle deviate enough from the central vertical to look clearly asymmetrical in relation to each other . The circle lies neither in the center of B nor in the center of the whole pattern ; and the ...
... circle , and yet both B and the circle deviate enough from the central vertical to look clearly asymmetrical in relation to each other . The circle lies neither in the center of B nor in the center of the whole pattern ; and the ...
Page 140
... circle , shape is not yet of the circle , shape is not yet differentiated at all . The circle does not stand for roundness , but only for the more general quality of “ thingness ” —that is , for the compactness of a solid object , which ...
... circle , shape is not yet of the circle , shape is not yet differentiated at all . The circle does not stand for roundness , but only for the more general quality of “ thingness ” —that is , for the compactness of a solid object , which ...
Page 158
... circle is still clearly discernible . In the human figure the original meaning of the circle is gradually limited by the additions . There are essentially two types . In Figure 139 the circle functions as an undifferentiated ...
... circle is still clearly discernible . In the human figure the original meaning of the circle is gradually limited by the additions . There are essentially two types . In Figure 139 the circle functions as an undifferentiated ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow