Art and Visual Perception: A Psychology of the Creative Eye |
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Page 286
... composition from an assortment of elements that blend smoothly in any combination . To state that all the colors contained in a pictorial composition are part of a simple sequence derived from a color system would mean no more- even ...
... composition from an assortment of elements that blend smoothly in any combination . To state that all the colors contained in a pictorial composition are part of a simple sequence derived from a color system would mean no more- even ...
Page 287
... composition . There have been informal recom- mendations as to what palette to use , what colors to avoid , but they applied only to specific schools of painting or fashions . Thus the Père Tanguy , owner of a small store that furnished ...
... composition . There have been informal recom- mendations as to what palette to use , what colors to avoid , but they applied only to specific schools of painting or fashions . Thus the Père Tanguy , owner of a small store that furnished ...
Page 307
... composition . What happens while the performance is going on is not simply that new beads are being added to the chain . Everything that came before is constantly modified by what comes later . This availability of the past for change ...
... composition . What happens while the performance is going on is not simply that new beads are being added to the chain . Everything that came before is constantly modified by what comes later . This availability of the past for change ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow