Art and Visual Perception: A Psychology of the Creative Eye |
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Page 31
... concepts deal with the ab- stract . The process of vision as it was described above , however , seems to meet the conditions of concept formation . Vision deals with the raw material of experience by creating a corresponding pattern of ...
... concepts deal with the ab- stract . The process of vision as it was described above , however , seems to meet the conditions of concept formation . Vision deals with the raw material of experience by creating a corresponding pattern of ...
Page 72
... concept of a crystal or a globe , no one point of observation predominates . This is true because a person's visual concept of an object is generally based on the totality of observations from any number of angles . Yet it is a visual ...
... concept of a crystal or a globe , no one point of observation predominates . This is true because a person's visual concept of an object is generally based on the totality of observations from any number of angles . Yet it is a visual ...
Page 129
... concept might be the fiveness in the statement " a hand has five fingers . " The visual concept of a hand usually contains the radial spreading out of fingers without specification of their number , and in a picture of the hand the ...
... concept might be the fiveness in the statement " a hand has five fingers . " The visual concept of a hand usually contains the radial spreading out of fingers without specification of their number , and in a picture of the hand the ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow