Art and Visual Perception: A Psychology of the Creative Eye |
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Page 360
... expression " to include any kind of communica- tion . True , we commonly say , for example , that a man " expresses his opin- ion . " Yet artistic expression seems to be something more specific . It requires that the communication of ...
... expression " to include any kind of communica- tion . True , we commonly say , for example , that a man " expresses his opin- ion . " Yet artistic expression seems to be something more specific . It requires that the communication of ...
Page 366
... expression as the guiding criterium every stroke of the pencil , brush , or chisel . In fact many good art teachers do precisely this . But there are also plenty of times when the spontaneous sensitivity of the student to expression not ...
... expression as the guiding criterium every stroke of the pencil , brush , or chisel . In fact many good art teachers do precisely this . But there are also plenty of times when the spontaneous sensitivity of the student to expression not ...
Page 368
... expression . Also it is overloaded with nonvisual associations . The human figure is not the easiest , but the most difficult , vehicle of artistic expression . The fact that nonhuman objects have genuine physiognomic properties has ...
... expression . Also it is overloaded with nonvisual associations . The human figure is not the easiest , but the most difficult , vehicle of artistic expression . The fact that nonhuman objects have genuine physiognomic properties has ...
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angle appear artist balance baroque blue body brightness Cézanne child circle color complementary colors complete composition contour convergence created CRUZ The University cube cubists dancer dark depth deviation dimension direction disk distance distortion drawing dynamic effect elements example experience expression fact factors figure-ground forces front frontal plane geometric ground horizontal hues human figure kinesthetic light look Matisse means Meyer Schapiro motion move movement nature object oblique observer organization orientation over-all overlapping painter painting pattern pattern of forces perceived perceptual physical pictorial picture principle produce projection psychological rectangle Rembrandt representation represented result retinal Rorschach sculpture seems seen shadow shape similar simple simpler simplest simplicity space spatial square stage stimulus stroboscopic structural surface symmetry tension theory things three-dimensional tilted tion triangle two-dimensional units University Library vanishing point vertical vision visual concept visual field visual perception whereas whole yellow